Abdur-Rahman, Aliyyah I., " 'The Strangest Freaks of Despotism': Queer Sexuality in Antebellum African American Slave Narratives": [40] 223-237
--, " 'Simply a Menaced Boy': Analogizing Color, Undoing Dominance in James Baldwin's Giovanni's Room": [41] 477-486

Abell, Joy L., "African/American: Lorraine Hansberry's Les Blancs and the American Civil Rights Movement": [35] 459-470

Accomando, Christina, " 'The laws were laid down to me anew': Harriet Jacobs and the Reframing of Legal Fictions": [32] 229-245

Adams, George R., "Riot as Ritual: Ann Petry's 'In Darkness and Confusion' ": [6] 54-57, 60

Aguiar, Appleton Sarah, " 'Passing on' Death: Stealing Life in Toni Morrison's Paradise": [38] 513-519

Alexander, Allen, "The Fourth Face: The Image of God in Toni Morrison's The Bluest Eye": [32] 293-303

Alexander, Elizabeth, "Dunbar Lives!": [41] 395-401

Alexander, Jean A., "Black Literature for the 'Culturally Deprived' Curriculum: Who Are the Losers?": [4] 96-103

Alexander, Margaret Walker, "Goodbye, Sweetwater": [22] 155

Allén, Sture, "Introduction to Wole Soyinka's Nobel Lecture, 8 December 1986": [22] 427

Als, Hilton, "The First Step of Becoming an Art Historian": [19] 28-30

Alvarez, Joseph A., "The Lonesome Boy Theme as Emblem for Arna Bontemps's Children's Literature": [32] 23-31

Alwes, Derek, "The Burden of Liberty: Choice in Toni Morrison's Jazz and Toni Cade Bambara's The Salt Eaters": [30] 353-365

Amann, Clarence A., "Three Negro Classics: An Estimate": [4] 113-119

Ambler, Madge, "Ishmael Reed: Whose Radio Broke Down?": [6] 125-131

Ambush, Benny Sato, "Culture Wars": [31] 579-586

Amis, Lola Jones, "Richard Wright's Native Son: Notes": [8] 240-243

Anatol, Giselle Liza, "Maternal Discourses in Nalo Hopkinson's Midnight Robber": [40] 111-124

Anderson, Mary Louise, "Black Matriarchy: Portrayals of Women in Three Plays": [10] 93-95

Anderson, Maureen, "The White Reception of Jazz in America": [38] 135-145

Anderson, T.J., III, "Body and Soul: Bob Kaufman's Golden Sardine ": [34] 329-346

Andrade, Heather Russell, "Revising Critical Judgments of The Autobiography of an Ex-Colored Man": [40] 257-270

Andrews, Raymond, "The Necessity of Blacks' Writing Fiction about the South": [27] 297-299

Andrews, William L., " 'Baxter's Procrustes': Some More Light on the Biographical Connection": [11] 75-78, 89
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--, "Reunion in the Postbellum Slave Narrative: Frederick Douglass and Elizabeth Keckley": [23] 5-16
--, "Introduction" to 20th-Century Autobiography Issue: [24] 197-201
--, Foreword to The Curse of Caste Special Issue: [40] 617-618

Anon., "Cut and Thrust": [3] 14-17
--, "Jass and Jassism": [29] 231-232

Anozie, Sunday O., "Negritude and Structuralism": [15] 127-132

Appiah, Kwame Anthony, "Structuralist Criticism and African Fiction: An Analytic Critique": [15] 165-174
--, "The Conservation of 'Race' ": [23] 37-60

Applegate, Anne, "Phillis Wheatley: Her Critics and Her Contribution": [9] 123-126

Ashe, Bertram D., " 'Why don't he like my hair?': Constructing African-American Standards of Beauty in Toni Morrison's Song of Solomon and Zora Neale Hurston's Their Eyes Were Watching God": [29] 579-592

Atkins, Russell, "Henry Dumas: An Appreciation": [22] 159-160

Aubert, Alvin, "Yusef Komunyakaa: The Unified Vision, Canonization and Humanity": [27] 119-123

Awkward, Michael, "Race, Gender, and the Politics of Reading": [22] 5-27

Awoonor, Kofi, "The Syncopated Cakewalk: An Introduction": [13] 73-74