Cain, William E., "W. E. B. Du Bois's Autobiography and the Politics of Literature": [24] 299-313

Callaghan, Cedric, "Black Theatre in South Africa (Links with the United States of America?)": [17] 82-83

Callahan, John F., "Chaos, Complexity and Possibility: The Historical Frequencies of Ralph Ellison": [11] 130-138
--, "The Testifying Voice in Michael Harper's Images of Kin": [13] 89-92
--, "Sterling Brown Ain't Dead Nothing . . . He Ain't Even Passed": [23] 91-94

Campbell, Jennifer, " 'It's a Time in the Land': Gendering Black Power and Sarah E. Wright's Place in the Tradition of Black Women's Writing": [31] 211-222

Camper, Joyce A. A., "Sterling Brown: Maker of Community in Academia": [31] 437-441

Cancel, Rafael A., "Male and Female Interrelationship in Toomer's Cane ": [5] 25-31

Cannon, Elizabeth M., "Following the Traces of Female Desire in Toni Morrison's Jazz": [31] 235-247

Cansler, Ronald Lee, " 'The White and Not-White Dichotomy' of Melvin B. Tolson's Poetry": [7] 115-118

Capuano, Peter J., "Truth in Timbre: Morrison's Extension of Slave Narrative Song in Beloved": [37] 95-103

Caputi, Jane, " 'Specifying' Fannie Hurst: Langston Hughes's 'Limitations of Life,' Zora Neale Hurston's Their Eyes Were Watching God, and Toni Morrison's The Bluest Eye as 'Answers' to Hurst's Imitation of Life": [24] 697-716

Cargas, Henry James, "The Black Writer: A White Perspective": [10] 100-102

Carlile, Theodora, "Reading the Scars: Rita Dove's The Darker Face of the Earth": [34] 135-150

Carner, Gary, "Introduction" to Literature of Jazz Issue: [25] 441-448

Carson, Warren, "Albert Murray: Literary Reconstruction of the Vernacular Community": [27] 287-295

Carter, Steven R., "Images of Men in Lorraine Hansberry's Writing": [ 19] 160-162
--, "Lorraine Hansberry's Toussaint": [23] 139-148

Carter, Tomeiko Ashford, "The Sentiment of the Christian Serial Novel: Julia C. Collins's The Curse of Caste; or The Slave Bride and the AME Christian Recorder": [40] 717-730

Cash, Earl A., "Letter to the Editor": [7] 32-33

Cassidy, Thomas, "Contending Contexts: Pauline Hopkins's Contending Forces": [32] 661-672

Castro, Michael, "Henry Dumas's Poetry of a Natural Man": [22] 182-187

Ceynowa, Andrzej, "The Dramatic Structure of Dutchman": [17] 15-18

Chafee, Patricia, "Slippery Ground: Ralph Ellison's Bingo Player": [10] 23-24

Champion, Ernest A., "The Story of a Man and His People: Chinua Achebe's Things Fall Apart": [8] 272-277

Chandler, Karen, "Folk Culture and Masculine Identity in Charles Burnett's To Sleep with Anger": [33] 299-311

Chaney, Michael A., "Picturing the Mother, Claiming Egypt: My Bondage and My Freedom as Auto(bio)ethnography": [35] 391-408

Chappell, David, "The Civil Rights Movement as a Religious Revival": [36] 581-595

Cheatwood, Kiarri T.-H., "Fire-Casting an Eternal De-Fascination with Death: Writing about the South, and the Responsible Necessity of Reading and Knowing Black South Writing in the Quest for Afrikan World Salvation and Restitution": [27] 301-313

Chrisman, Robert, "Jonoah and the Green Stone": [22] 190-191

Christ, Jack M., "Jean Toomer's 'Bona and Paul': The Innocence and Artifice of Words": [9] 44-46

Christmann, James, "Raising Voices, Lifting Shadows: Competing Voice-Paradigms in Frances E.W. Harper's Iola Leroy": [34] 5-18

Ciuba, Gary, "The Worm Against the Word: The Hermeneutical Challenge in Hurston's Jonah's Gourd Vine": [34] 119-133

Clabough, Casey, "Toward Feminine Mythopoetic Visions: The Poetry of Gayl Jones": [41] 99-114

Clark, Edward, "Boston Black and White: The Voice of Fiction": [19] 83-89

Clark, Keith, "A Distaff Dream Deferred? Ann Petry and the Art of Subversion": [26] 495-505
--, "Que(e)rying the Prison-House of Black Male Desire: Homosociality in Ernest Gaines's 'Three Men' ": [40] 239-255

Clark, VèVè A., "Katherine Dunham's Tropical Review ": [16] 147-152

Clarke, Deborah, " 'The porch couldn't talk for looking': Voice and Vision in Their Eyes Were Watching God": [35] 599-613

Clarke, Graham, "Beyond Realism: Recent Black Fiction and the Language of 'The Real Thing' ": [16] 43-48

Cleage, Pearl, "Hairpeace": [27] 37-41

Clements, Clyde C., Jr., "Black Studies for White Students": [4] 9-11

Cochran, Robert, "Black Father: The Subversive Achievement of Joel Chandler Harris": [38] 21-34

Cohen, Michael, "Paul Laurence Dunbar and the Genres of Dialect": [42]

Cohen, Milton A., "Black Brutes and Mulatto Saints: The Racial Hierarchy of Stein's 'Melanctha' ": [18] 119-121

Coker, Gylbert, "Bob Thompson: Honeysuckle Rose to Scrapple from the Apple": [19] 18-21

Cole, Jean Lee, "Information Wanted: The Curse of Caste, Minnie's Sacrifice, and the Christian Recorder": [40] 731-742

Coleman, James W., "Language, Reality, and Self in Wesley Brown's Tragic Magic": [15] 48-50
--, "The Quest for Wholeness in Toni Morrison's Tar Baby": [20] 63-73
--, "Clarence Major's All-Night Visitors: Calabanic Discourse and Black Male Expression": [28] 95-108
--, "Charles Johnson's Quest for Black Freedom in Oxherding Tale": [29] 631-644

Coleman, James W., and Joanne V. Gabbin, "The Legacy of George E. Kent": [17] 143-147

Collier, Eugenia, "Elemental Wisdom in Goodbye, Sweetwater: Suggestions for Further Study": [22] 192-199

Collins, Herbert, "Storefront Churches": [4] 64-68

Conger, Lesley, "Jimmy on East 15th Street": [29] 557-566

Coniff, Brian, "Answering 'The Waste Land': Robert Hayden and the Rise of the African American Poetic Sequence": [33] 487-506

Connelly, Joseph F., "William Demby's Fiction: The Pursuit of Muse": [10] 100, 102-103

Connor, Kimberly Rae, "To Disembark: The Slave Narrative Tradition": [30] 35-57

Conroy, Jack, "Memories of Arna Bontemps: Friend and Collaborator": [10] 53-57

Conroy, Sister Mary, "The Vagabond Motif in the Writings of Claude McKay": [5] 15-23

Cooke, Gwendolyn J., "How Students Feel about Black Literature": [8] 293-295

Cope, Virginia H., " 'I Verily Believed Myself to be a Free Woman': Harriet Jacobs's Journey into Capitalism": [38] 5-20

Cornwell-Giles, JoAnne, "Afro-American Criticism and Western Consciousness: The Politics of Knowing": [24] 85-98

Corti, Lillian, "Countée Cullen's Medea": [32] 621-634

Cosgrove, William, "Modern Black Writers: The Divided Self": [7] 120-122

Costello, Brannon, "Richard Wright's Lawd Today! and the Political Uses of Modernism": [37] 39-52

Covin, David, "Henry Dumas: The Writer as Teacher": [22] 202-205

Cripps, Thomas, "Negroes in Movies: Some Reconsiderations": [2] 6-7
--, "The Films of Spencer Williams": [12] 128-134

Crosby, Edward, "Henry Lee Dumas as Seer and Educator": [22] 206-209

Crossley, Scott, "Metaphorical Conceptions in Hip-Hop Music": [39] 501-512

Cunningham, James, "Baldwin Aesthetics in Sterling Plumpp's Mojo Poems": [23] 505-518

Cunningham, Joan, "The Uncollected Short Stories of Charles Waddell Chesnutt": [9] 57-58

Curren, Eric D., "Should Their Eyes Have Been Watching God?: Hurston's Use of Religious Experience and Gothic Horror": [29] 17-25

Cutter, Martha J., "The Story Must Go On and On: The Fantastic, Narration, and Intertextuality in Toni Morrison's Beloved and Jazz": [34] 61-75

Cyprian, Father, and Father Alaric, "Planning Negro American Literature Studies": [2] 28-30