Dagbovie,
Sika Alaine, "Fading to White, Fading Away: Biracial Bodies in Michelle
Cliff's Abeng and Danzy
Senna's Caucasia": [40] 93-109
Dale,
Joanne, "Integrating Literature by Minority Writers in the
Literature Program": [2] 8-9
--, "Teaching Literature by and about Minorities": [4] 133-135
Daley, Maxine E., "The Cardozo Project": [1] 17
Dalsgård, Katrine, "The One All-Black Town Worth the Pain: (African) American Exceptionalism, Historical Narration, and the Critique of Nationhood in Toni Morrison's Paradise": [35] 233-248
Dalton, Chantal B., "Teaching Black Literature to Undergraduates: The Problem of a Sense of Perspective": [11] 102-103
Damali, Nia, "Dumas: A Man and His Work": [22] 210-212
Damali, Nia, and Yakini Kemp, "Ikons of Love: Love as Power in Poems by Henry Dumas": [22] 213-217
Dance, Daryl C., "Contemporary Militant Black Humor": [8] 217-222
Dandridge, Rita B., "From Economic Insecurity to Disintegration: A Study of Character in Louise Meriwether's Daddy Was a Number Runner": [9] 82-85
D'Aponte, Mimi Gisolfi, "The Gospel at Colonus (And Other Black Morality Plays)": [25] 101-111
David, Mary T., "The Theme of Regeneration in Selected Works by Wole Soyinka": [22] 645-661
Davidson,
Jiton Sharmayne, "Sometimes Funny, But Most Times Deadly
Serious: Amiri Baraka as Political Satirist": [37] 399-405
Davies, Kathleen, "Zora Neale Hurston's Poetics of Embalmment: Articulating the Rage of Black Women and Narrative Self-Defense": [26] 147-159
Davis, Arthur P., "Growing Up in the New Negro Renaissance: 1920-1935": [2] 53-59
Davis, Clinton Turner, "Non-Traditional Casting": [31] 591-594
Davis, Cynthia J., "Speaking the Body's Pain: Harriet Wilson's Our Nig": [27] 391-404
Davis, Marianna W., "Black Scholars/White Professional Organizations": [5] 102-107
Davis, Mary Kemp, "Arna Bontemps' Black Thunder: The Creation of an Authoritative Text of 'Gabriel's Defeat' ": [23] 17-36
Davis, Olga Idriss, "The Rhetoric of Quilts: Creating Identity in African-American Children's Literature": [32] 67-76
Davis, Vivian, "A Nigger Mess": [5] 94-97
Davison, Carol Margaret, " 'Love 'em and Lynch 'em': The Castration Motif in Gayl Jones's Eva's Man": [29] 393-410
Dawahare, Anthony, "From No Man's Land to Mother-land: Emasculation and Nationalism in Richard Wright's Depression Era Urban Novels": [33] 451-466
Dawes, Kwame, "Reading Rice: A Local Habitation and a Name": [31] 269-279
De Arman, Charles, "Bigger Thomas: The Symbolic Negro and the Discrete Human Entity": [12] 61-64
Debo, Annette, "Reflecting Violence in the Warpland: Gwendolyn Brooks's Riot": [39] 143-152
Deck, Alice A., "Autoethnography: Zora Neale Hurston, Noni Jabavu, and Cross-Disciplinary Discourse": [24] 237-256
DeGout, Yasmin Y., "Dividing the Mind: Two Contradictory Portraits of Homoerotic Love in Giovanni's Room": [26] 425-435
de Jongh, James L., "Notes on Henry Dumas's Harlem": [22] 218-220
Delmar, P. Jay, "Tragic Patterns in Richard Wright's Uncle Tom's Children": [10] 3-12
Demarest, David P., Jr., "Richard Wright: The Meaning of Violence": [8] 236-239
Demetrakopoulos, Stephanie A., "Maternal Bonds as Devourers of Women's Individuation in Toni Morrison's Beloved": [26] 51-59
Dent,
Tom, "Umbra Days": [14] 105-108
--, "Marcus B. Christian: A Reminiscence and an Appreciation": [18]
22-26
--, "Two Views of New Orleans": [27] 51-52
--, "Lower East Side Coda": [27] 597-598
Deutsch, Leonard J., "Ellison's Early Fiction": [7] 53-59
DeVeaux, Scott, "Constructing the Jazz Tradition: Jazz Historiography": [25] 525-560
Dewberry, Jonathan, "The African Grove Theatre and Company": [16] 128-131
Diawara,
Manthia, "The Nature of Mother in Dreaming Rivers":
[25] 283-298
--, "Noir by Noirs: Towards a New Realism in Black
Cinema": [27] 525-537
Diawara, Manthia, and Phyllis R. Klotman, "Ganja and Hess: Vampires, Sex, and Addictions": [25] 299-314
Dickinson, Donald C., "Working with Langston Hughes": [1] 13, 15
Dieke,
Ikenna, "Sadeanism: Baraka, Sexuality, and the Perverse
Imagination in The System of Dante's Hell": [19] 163-166
--, "Tragic Faith and the Dionysian Unconscious: An Interfacing of
Novelist Baraka and Friedrich Nietzsche": [24] 99-116
--, "Toward a Monistic Idealism: The Thematics of Alice Walker's The
Temple
of My Familiar": [26] 507-514
Dixon,
Brenda, "Dancing in the Dark: The Life and Times of Margot
Webb
in Aframerican Vaudeville of the Swing Era": [17] 3-7
--, "Black Dance and Dancers and the White Public: A Prolegomenon
to Problems of Definition": [24] 117-123
Dobbs, Cynthia, "Toni Morrison's Beloved: Bodies Returned, Modernism Revisited": [32] 563-578
Dodson,
Owen, "Who Has Seen the Wind?: Playwrights and the Black
Experience":
[11] 108-116; [13] 20-23; [14] 54-59
--, "Remembering the Reverend Thomas S. Harten": [25] 10
Domina, Lynn, " 'Protection in My Mouf': Self, Voice, and Community in Zora Neale Hurston's Dust Tracks on a Road and Mules and Men": [31] 197-209
Doreski, C. K., "From News to History: Robert Abbott and Carl Sandburg Read the 1919 Chicago Riot": [26] 637-650
Doughty, Nanelia S., "Realistic Negro Characterization in Postbellum Fiction": [3] 57-62, 68
Doyle, Sister Mary Ellen, "Josiah Henson's Narrative: Before and After": [8] 176-182
Driskell, David C., "New Works by Stephanie Pogue": [19] 40
Duane, Anna Mae, "Remaking Black Motherhood in Frank J. Webb's The Garies and their Friends": [38] 201-212
Dubek, Laura, "The Social Geography of Race in Hurston's Seraph on the Suwanee": [30] 341-351
Dubey, Madhu, "Literature and Urban Crisis: John Edgar Wideman's Philadelphia Fire": [32] 579-595
Dunning, Stefanie K., " 'Ironic Soil': Recuperative Rhythms and Negotiated Nationalisms": [39] 231-243
Durkin, Anita, "Object Written, Written Object: Slavery, Scarring, and Complications of Authorship in Beloved": [41] 541-556
Duvall, J. Michael, and Julie Cary Nerad, " 'Suddenly and Shockingly Black': The Atavistic Child in Turn-of-the-Twentieth Century American Fiction": [41] 51-66
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