Hagood, Taylor, "Dramatic Deception and Black Identity in The First One and Riding the Goat": [39] 55-66

Hairston, Andrea, "If You Just Change the Key, It's Still the Same Old Song": [17] 36-37

Hajosy, Dolores, "Gallery 62: An Outlet . . . A Bridge": [19] 22-23

Hakutani, Yoshinobu, "Creation of the Self in Richard Wright's Black Boy": [19] 70-75
--, "Richard Wright's The Long Dream as Racial and Sexual Discourse": [30] 267-280

Hall, James C., "Towards a Map of Mis(sed) Reading: The Presence of Absence in The Color Purple": [26] 89-97

Halsey, William, "Signify(cant) Correspondences": [22] 257-261

Hamalian, Leo, "God's Angry Man": [25] 417-420

Hamalian, Linda, "Richard Wright's Use of Epigraphs in The Long Dream": [10] 120-123
--, "Kea Tawana: Or Who Would Build a Better Ark than Noah?": [21] 97-112

Hamilton, Cynthia, "Work and Culture: The Evolution of Consciousness in Urban Industrial Society in the Fiction of William Attaway and Peter Abrahams": [21] 147-163

Hansell, William H., "Gwendolyn Brooks's 'In the Mecca': A Rebirth into Blackness": [8] 199-207
--, "Essences, Unifyings, and Black Militancy: Major Themes in Gwendolyn Brooks's Family Pictures and Beckonings ": [11] 63-66
--, "The Spiritual Unity of Robert Hayden's Angle of Ascent": [13] 24-31
--, "Three Artists in Melvin B. Tolson's Harlem Gallery": [18 ] 122-127

Hardwig, Bill, "Who Owns the Whip?: Chesnutt, Tourgée, and Reconstruction Justice": [36] 5-20

Harper, Phillip Brian, " 'To Become One and Yet Many': Psychic Fragmentation and Aesthetic Synthesis in Ralph Ellison's Invisible Man": [23] 681-700

Harris, Jennifer, "Black Like?: The Strange Case of Emma Dunham Kelley-Hawkins": [40] 401-419

Harris, Marla, "Not Black and/or White: Reading Racial Difference in Heliodorus's Ethiopica and Pauline Hopkins's Of One Blood": [35] 375-390

Harris, Trudier, "Folklore in the Fiction of Alice Walker: A Perpetuation of Historical and Literary Traditions": [11] 3-8
--, "The Barbershop in Black Literature": [13] 112-118
--, " 'I Wish I Was a Poet': The Character as Artist in Alice Childress's Like One of the Family": [14] 24-30
--, "On The Color Purple, Stereotypes, and Silence": [18] 155-161

Harris, Will, "Early Black Women Playwrights and the Dual Liberation Motif": [28] 205-221

Harris, William J., and Aldon L. Nielsen, "Somebody Blew Off Baraka": [37] 183-187

Harrison, Paul Carter, "The Crisis of Black Theatre Identity": [31] 567-578
--, "The Black Star Line: The De-Mystification of Marcus Garvey": [31] 713-716

Harrison, Paul Carter, and Victor Leo Walker, II, "August Wilson's Call: Notes from the Editors": [31] 565

Hartigan, royal, "The Heritage of the Drumset": [29] 234-236

Hartman, S. V., and Farah Jasmine Griffin, "Are You as Colored as That Negro?: The Politics of Being Seen in Julie Dash's Illusions": [25] 361-373

Haslam, Gerald W., " 'The Sheriff's Children': Chesnutt's Tragic Racial Parable": [2] 21-26

Hatch, James V., "The Alchemy of Owen Dodson": [14] 51-52
--, "Sittin' at the Banquet, Talkin' with Ourselves (An Open Letter to Theatre Scholars and Historians on the Status of Black Theatre Research and Publication)": [16] 168-170
--, "All Our Farewells Cry to Thee (A Memory of an Evening with Owen Dodson)": [18] 3-4
--, "The Sorceress of Broome Street": [19] 3-6

Hatch, James V., and Andrzej Ceynowa, "Black Theatre: Introduction": [16] 127

Hatch, James V., and Joe Weixlmann, " 'Primitivism' ": [19] 51

Hawthorne, Evelyn, "On Gaining the Double-Vision: Tar Baby as Diasporean Novel": [22] 97-107

Hay, Samuel A., "Escaping the Tar-and-Feather Future of African American Theatre": [31] 617-620

Hayes, Elizabeth T., "The Named and the Nameless: Morrison's 124 and Naylor's 'the Other Place' as Semiotic Chorae": [38] 669-681

Hayward, Jennifer, "Something to Serve: Constructs of the Feminine in Charles Johnson's Oxherding Tale": [25] 689-703

Hayward, Steve, "Against Commodification: Zuni Culture in Clarence Major's Native American Texts": [28] 109-120

Haywood, Chanta, "Constructing Childhood: The Christian Recorder and Literature for Black Children, 1854-1865": [36] 417-428

Hedrick, Hannah, "On the Inside . . . Looking Out: Material for and by Black Inmates": [10] 26-28

Heise, Thomas, "Harlem is Burning: Urban Rioting and the 'Black Underclass' in Chester Himes's Blind Man With a Pistol": [41] 487-506

Heithaus, Joseph, " 'Hunting is Not Those Heads': The Jones/Baraka Critic as Taxidermist": [37] 365-369

Helbling, Mark, "Claude McKay: Art and Politics": [7] 49-52
--, "Sherwood Anderson and Jean Toomer": [9] 35-39
--, "Carl Van Vechten and the Harlem Renaissance": [10] 39-47

Helford, Elyce Rae, " 'Would you really rather die than bear my young?': The Construction of Gender, Race, and Species in Octavia E. Butler's 'Bloodchild' ": [28] 259-271

Hellenbrand, Harold, "Speech, After Silence: Alice Walker's The Third Life of Grange Copeland": [20] 113-128

Henderson, Darwin L., and Anthony L. Manna, "Evoking the 'Holy and the Horrible': Conversations with Joyce Carol Thomas": [32] 139-146

Henderson, David, "Jimi Hendrix Deep Within the Blues and Alive Onstage at Woodstock--25 Years After Death": [29] 213-216

Henderson, Mae G., "(W)Riting The Work and Working the Rites": [23] 631-660

Henderson, Stephen E., "The Heavy Blues of Sterling Brown: A Study of Craft and Tradition": [14] 32-44
--, "Henry Dumas: The Osiris Factor": [22] 262-264

Henry, Matthew, "He Is a 'Bad Mother*$%@!#': Shaft and Contemporary Black Masculinity": [38] 119-126

Hepburn, Joan, "Mediators of Ritual Closure": [22] 577-614

Hernton, Calvin, "The Sexual Mountain and Black Women Writers": [18] 139-145
--, "Umbra: A Personal Recounting": [27] 579-584

Herring, Terrell Scott, "The Negro Artist and the Racial Manor: Infants of Spring and the Conundrum of Publicity": [35] 581-597

Heyman, Richard, "Universalization and Its Discontents: Morrison's Song of Solomon--A (W)hol(e)y Black Text": [29] 381-392

Hicks, Heather, " 'This Strange Communion': Surveillance and Spectatorship in Ann Petry's The Street": [37] 21-37

Hicks, Jack, "To Make These Bones Live: History and Community in Ernest Gaines's Fiction": [11] 9-19

Hill, Anthony D., "The Pulpit and Grease Paint: The Influence of Black Church Ritual on Black Theatre": [25] 113-120

Hill, Errol, "S. Morgan Smith: Successor to Ira Aldridge": [16] 132-135
--, "Calypso and War": [23] 61-88

Hill, Patricia Liggins, " 'The Violent Space': The Function of the New Black Aesthetic in Etheridge Knight's Prison Poetry": [14] 115-121
--, " 'Let Me Make the Songs for the People': A Study of Frances Watkins Harper's Poetry": [15] 60-65

Hinds, Elizabeth Jane Wall, "The Spirit of Trade: Olaudah Equiano's Conversion, Legalism, and the Merchant's Life": [32] 635-647

Hirsch, David A. Hedrich, "Speaking Silences in Angelina Weld Grimké's 'The Closing Door' and 'Blackness' ": [26] 459-474

Ho, Fred Wei-han, "What Makes 'Jazz' the Revolutionary Music of the 20th Century, and Will It Be Revolutionary for the 21st Century?": [29] 283-290

Hobson, Christopher Z., "Invisible Man and African American Radicalism in World War II": [39] 355-376

Hoeller, Hildegard, "Race, Modernism, and Plagiarism: The Case of Nella Larsen's 'Sanctuary' ": [40] 421-437

Hoem, Sheri I., " 'Shifting Spirits': Ancestral Constructs in the Postmodern Writing of John Edgar Wideman": [34] 249-262

Hoeveler, Diane Long, "Oedipus Agonistes: Mothers and Sons in Richard Wright's Fiction": [12] 65-68

Hoffman-Jeep, Lynda, "Creating Ethnography: Zora Neale Hurston and Lydia Cabrera": [39] 337-353

Holden-Kirwan, Jennifer L., "Looking Into the Self That Is No Self: An Examination of Subjectivity in Toni Morrison's Beloved": [32] 415-426

Holdt, Marvin, "James A. Emanuel: Black Man Abroad": [13] 79-85

Holloway, Karla F. C., "Revision and (Re)membrance: A Theory of Literary Structures in Literature by African-American Women Writers": [24] 617-631

Holmes, Eugene C., "Alain Locke and the New Negro Movement": [2] 60-68

hooks, bell, "Micheaux: Celebrating Blackness": [25] 351-360

Horvitz, Deborah, "Hysteria and Trauma in Pauline Hopkins's Of One Blood; Or, the Hidden Self": [33] 245-260

Hotton, Julia, "Emma Amos: Woman of Substance": [19] 24-25

Houston, Kerr, "Athletic Iconography in Spike Lee's Early Feature Films": [38] 637-649

Hovet, Theodore, "Chesnutt's 'The Goophered Grapevine' as Social Criticism": [7] 86-88

Howard, Jessica H., "Hallelujah!: Transformation in Film": [30] 441-451

Howe, Fanny, "Clarence Major: Poet & Language Man": [13] 68-69

Hoyt, Charles Alva, "The Five Faces of Malcolm X": [4] 107-112

Hubbard, Dolan, " ' ". . . Ah said Ah'd save de text for you" ': Recontextualizing the Sermon to Tell (Her)story in Zora Neale Hurston's Their Eyes Were Watching God": [27] 167-178

Hughes, Jennifer A., "The Politics of Incongruity in Paul Laurence Dunbar's The Fanatics": [42] 295-301

Hughes, Sheila Hassell, "A Prophet Overheard: A Juxtapositional Reading of Gwendolyn Brooks's 'In the Mecca' ": [38] 257-280

Hull, Gloria T., "Black Women Poets from Wheatley to Walker": [9] 91-96
--, "Notes on a Marxist Interpretation of Black American Literature": [12] 148-153

Humez, Jean M., "Pauli Murray's Histories of Loyalty and Revolt": [24] 315-335

Hunt, Patricia, "War and Pace: Transfigured Categories and the Politics of Sula": [27] 443-459

Hutchinson, George, "Mediating 'Race' and 'Nation': The Cultural Politics of The Messenger": [28] 531-548