Kachun, Mitch, "Interrogating the Silences: Julia C. Collins, 19^th-Century Black Readers and Writers, and the Christian Recorder": [40] 649-659

Kang, Nancy, " 'As if I had entered a Paradise': Fugitive Slave Narratives and Cross-Border Literary History": [39] 431-457

Karafilis, Maria, "Oratory, Embodiment, and US Citizenship in Sutton E. Griggs's Imperium in Imperio": [40] 125-143

Katrak, Ketu H., "Theory and Social Responsibility: Soyinka's Essays": [22] 489-501

Keady, Sylvia H., "Richard Wright's Women Characters and Inequality": [10] 124-128

Kein, Sybil, "Teaching Afro-American Literature to Undergraduates: A Humanistic Approach": [11] 94-96

Keizer, Arlene R., "Beloved: Ideologies in Conflict, Improvised Subjects": [33] 105-123

Keizs, Marcia, "Themes and Style in the Works of Paule Marshall": [9] 67, 71-76

Keller, James R., " 'A chafing savage, down the decent street': The Politics of Compromise in Claude McKay's Protest Sonnets": [28] 447-456
--, "The Shaman's Apprentice: Ecstasy and Economy in Wilson's Joe Turner": [35] 471-479

Keller, Joseph R., "Black Writing and Editorial Unbelief": [3] 35-38, 51
--, "Black Writing and the White Critic": [3] 103-111

Kelley, Blair L. M., "Right to Ride: African American Citizenship and Protest in the Era of Plessy v. Ferguson": [42] 347-356

Kelly, Ernece B., "Guest Editor's Note": [5] 79

Kelly, Margot Anne, " 'Damballah is the First Law of Thermodynamics': Modes of Access to Toni Cade Bambara's The Salt Eaters": [27] 479-493

Kendrick, Robert, "Re-membering America: Phillis Wheatley's Intertextual Epic": [30] 71-88

Khayati, Abdellatif, "Representation, Race, and the 'Language' of The Ineffable in Toni Morrison's Narrative": [33] 313-324

Kilgore, James, "Dumas's Poetry for My People": [22] 268-269

Kim, Daniel Won-gu, "In the Tradition: Amiri Baraka, Black Liberation, and Avant-Garde Praxis in the U.S.": [37] 345-363
--, " 'We, Too, Rise with You': Recovering Langston Hughes's African (Re)Turn 1954-1960 in An African Treasury, the Chicago Defender, and Black Orpheus": [41] 419-441

King, Sigrid, "Naming and Power in Zora Neale Hurston's Their Eyes Were Watching God": [24] 683-696

King, Woodie, Jr., "The Politics of Black Arts": [17] 30

Klawans, Stuart, " 'I was a weird example of Art': My Amputations as Cubist Confession": [28] 77-87

Klinkowitz, Jerome, "Clarence Major's Innovative Fiction": [28] 57-63
--, "LeRoi Jones: Dutchman as Drama": [7] 123-126
--, "Notes on a Novel-in-Progress: Clarence Major's Emergency Exit": [13] 46-50

Klotman, Phyllis R., " 'Oh Freedom': Women and History in Margaret Walker's Jubilee": [11] 139-145
--, "About Black Film . . .": [12] 123-127
--, "Dick-and-Jane and the Shirley Temple Sensibility in The Bluest Eye": [13] 123-125
--, " 'Tearing a Hole in History': Lynching as Theme and Motif": [19] 55-63

Knuth, Carole Brown, "African-American Children and the Case for Community: Eleanora Tate's South Carolina Trilogy": [32] 85-92

Kolin, Philip C., "Williams in Ebony: Black and Multi-Racial Productions of A Streetcar Named Desire": [25] 147-181
--, "Orpheus Ascending: Music, Race, and Gender in Adrienne Kennedy's She Talks to Beethoven": [28] 293-304

Koolish, Lynda, "Fictive Strategies and Cinematic Representations in Toni Morrison's Beloved: Postcolonial Theory/Postcolonial Text": [29] 421-438

Koprince, Susan, "Baseball as History and Myth in August Wilson's Fences": [40] 349-358

Kostelanetz, Richard, "The Politics of Passing: The Fiction of James Weldon Johnson": [3] 22-24, 29

Knadler, Stephen, "Domestic Violence in the Harlem Renaissance: Remaking the Record from Nella Larsen's Passing to Toni Morrison's Jazz": [38] 99-118

Kraft, Julie, and Mark Van Wienen, "How the Socialism of W. E. B. Du Bois Still Matters: Black Socialism in The Quest of the Silver Fleece--and Beyond": [41] 67-86

Krasner, David, "Parody and Double Consciousness in the Language of Early Black Musical Theatre": [29] 317-323
--, "Whose Role Is It Anyway?: Charles Gilpin and the Harlem Renaissance": [29] 483-496

Krasner, James, "The Life of Women: Zora Neale Hurston and Female Autobiography": [23] 113-126

Krasny, Michael, "Design in Jean Toomer's 'Balo' ": [7] 103-104
--, "Jean Toomer's Life prior to Cane: A Brief Sketch of the Emergence of a Black Writer": [9] 40-41
--, "The Aesthetic Structure of Jean Toomer's Cane": [9] 42-43

Krumholz, Linda J., "The Ghosts of Slavery: Historical Recovery in Toni Morrison's Beloved": [26] 395-408
--, "Reading and Insight in Toni Morrison's Paradise": [36] 21-34

Kubitschek, Missy Dehn, " 'Tuh De Horizon and Back': The Female Quest in Their Eyes Were Watching God": [17] 109-115
--, "Paule Marshall's Women on Quest": [21] 43-60

Kuenz, Jane, "The Bluest Eye: Notes on History, Community, and Black Female Subjectivity": [27] 421-431

Kumar, Nita N., "The Logic of Retribution: Amiri Baraka's Dutchman": [37] 271-270

Kutzinski, Vera M., "The Distant Closeness of Dancing Doubles: Sterling Brown and William Carlos Williams": [16] 19-25