Mack, Robin Rebecca, " 'The Music of Truth': The Work of Henry Dumas": [22] 287-289

Mackey, Nathaniel, "To Define an Ultimate Dimness: Deconstruction in Clarence Major's Poems": [13] 61-68

MacPhail, Scott, "June Jordan and the New Black Intellectuals": [33] 57-71

Madhubuti, Haki R., "Henry Dumas: As Serious as First Love": [22] 290-293

Magistrale, Tony, "Doing Battle with the Wolf: A Critical Introduction to Wanda Coleman's Poetry": [23] 539-554

Major, Clarence, "Necessary Distance: Afterthoughts on Becoming a Writer": [23] 197-212; [28] 37-47

Manson, Michael Tomaek, "The Clarity of Being Strange: Jay Wright's The Double Invention of Komo": [24] 473-489

Manuel, Carmen, "Mule Bone: Langston Hughes and Zora Neale Hurston's Dream Deferred of an African-American Theatre of the Black Word": [35] 77-92
--, "A Ghost in the Expressionist Jungle of O'Neill's Emperor Jones": [39] 67-85

Marks, Donald R., "Sex, Violence, and Organic Consciousness in Zora Neale Hurston's Their Eyes Were Watching God": [19] 152-157

Martin, Dellita L., "The 'Madam Poems' as Dramatic Monologue": [15] 97-99

Martin, Joan M., "Teaching Afro-American Literature: The Multi-Ethnic Approach": [11] 97-101

Martin, Reginald, "Faulkner's Southern Reflections: The Black on the Back of the Mirror in 'Ad Astra' ": [27] 53-57

Martin, Thaddeus, "Dutchman Reconsidered": [11] 62

Marvin, Thomas F., " 'Preachin' the Blues': Bessie Smith's Secular Religion and Alice Walker's The Color Purple": [28] 411-421

Marx, Steven, "Beyond Hibernation: Ralph Ellison's 1982 Version of Invisible Man": [23] 701-721

Mason, Julian, "Some Thoughts on Literary Stereotyping": [6] 63-64, 70

Mason, Mary, "Travel as Metaphor and Reality in Afro-American Women's Autobiography, 1850-1972": [24] 337-356

Massenburg, Doris O., and Bruce C. Appleby, "Growing Up Black: A Black Literature Unit for Schools": [5] 39-67

Massood, Paula J., "Which Way to the Promised Land?: Spike Lee's Clockers and the Legacy of the African American City": [35] 263-279

Matus, Jill L., "Dream, Deferral, and Closure in The Women of Brewster Place": [24] 49-64

Maultsby, Portia, "A Map of the Music": [29] 183-184

Maxwell, William J., "Dunbar's Bohemian Gallery: Foreign Color and Fin-de-Siècle Modernism": [42] 341-346

May, Cedrick, "John Marrant and the Narrative Construction of an Early Black Methodist Evangelical": [38] 553-570

Mayberry, Susan Neal, "Something Other Than A Family Quarrel: The Beautiful Boys in Morrison's Sula": [37] 517-533

McAllister-Johnson, Pam, "Introduction" to Black Journalism Issue: [12] 83-84
--, "Suggestions for Media Staff Development": [12] 100-101

McCaffery, Larry, and Sinda Gregory, "Major's Reflex and Bone Structure and the Anti-Detective Tradition": [13] 39-45

McCarthy, B. Eugene, "Models of History in Richard Wright's Uncle Tom's Children": [25] 729-743

McCartney, Barney C., "Dramaturgical Movement in Lewis Nkosi's The Rhythm of Violence": [8] 268-270

McCaskill, Barbara, " 'Yours Very Truly': Ellen Craft--The Fugitive as Text and Artifact": [28] 509-529

McCluskey, John, Jr., " 'Aim High and Go Straight': The Grandmother Figure in the Short Fiction of Rudolph Fisher": [15] 55-59

McCord, Keryl E., "The Challenge of Change": [31] 601-609

McCoy, Beth, "Rumors of Grace: White Masculinity in Pauline Hopkins's Contending Forces": [37] 569-581

McCready, Eric S., "Tanner and Gilliam: Two American Black Painters": [8] 279-281

McCredie, Wendy J., "Authority and Authorization in Their Eyes Were Watching God": [16] 25-28

McDonald, Michael Bruce, "Traning the Nineties, Or the Present Relevance of John Coltrane's Music of Theophany and Negation": [29] 275-282

McDonald, Walter R., " 'You Not a Bum, You a Man': Ernest J. Gaines's Bloodline": [9] 47-49

McDowell, Deborah E., "New Directions for Black Feminist Criticism": [14] 153-159

McDowell, Margaret B., "The Narrows: A Fuller View of Ann Petry": [14] 135-141

McKeever, Benjamin F., "Cane as Blues": [4] 61-63

McKelly, James C., "The Double Truth, Ruth: Do the Right Thing and the Culture of Ambiguity": [32] 215-227

McKible, Adam, " 'These are the facts of the darky's history': Thinking History and Reading Names in Four African American Texts": [28] 223-235

McLuckie, Craig W., "Soyinka's Two 'Godspeak' Texts: Comedy as an Instrument of Social Development": [22] 695-704

Meisenhelder, Susan, " 'The Whole Picture' in Gloria Naylor's Mama Day": [27] 405-419

Melamed, Jodi, "W. E. B. Du Bois's UnAmerican End": [40] 533-550

Melhem, D. H., "Dudley Randall: A Humanist View": [17] 157-167

Metress, Christopher, "Langston Hughes's 'Mississippi--1955': A Note on Revisions and an Appeal for Reconsideration": [37] 139-148

Meyer, Adam, "Not Entirely Strange, But Not Entirely Friendly Either: Jewish and Black Navigations of the Color Line": [38] 441-450

Meyerowitz, Lisa, "The Negro in Art Week: Defining the 'New Negro' Through Art Exhibition": [31] 75-89

Michael, Magali Cornier, "Re-imagining Agency: Toni Morrison's Paradise": [36] 643-661

Mikkelsen, Nina, "Insiders, Outsiders, and the Question of Authenticity: Who Shall Write for African American Children?": [32] 33-49

Miller, E. Ethelbert, "Memory Like Arrows Falling from the Sky": [22] 294-295

Miller, E. S., "Cleaver and Juminer: Black Man and White Woman": [11] 25-31

Miller, Elise, "The 'Maw of Western Culture': James Baldwin and the Anxieties of Influence": [38] 625-636

Miller, Eugene E., "Richard Wright and Gertrude Stein": [16] 107-112

Miller, Nina, "Feminity, Publicity, and the Class Division of Cultural Labor: Jessie Redmon Fauset's There Is Confusion": [30] 205-220

Miller, R. Baxter, " 'No Crystal Stair': Unity, Archetype and Symbol in Langston Hughes's Poems on Women": [9] 109-114
--, " 'Even After I Was Dead': The Big Sea--Paradox, Preservation, and Holistic Time": [11] 39-45
--, "Introduction: Langston Hughes and the 1980s--Rehumanization of Theory": [15] 83-84
--, "Baptized Infidel: Play and Critical Legacy": [21] 393-414
--, " 'To a Place Blessed': For Margaret Walker": [33] 5-6

Millican, Arthenia Bates, "The Autobiography of An Idea": [27] 25-28

Minor, Delores, "Public Schools and Black Materials": [5] 85-87, 107

Mitchell, Carolyn A., "Henry Dumas and Jean Toomer: One Voice": [22] 297-309

Mitchell, Louis D., "Ellison's B. P. Rinehart: 'Spiritual Technologist' ": [9] 51-52

Mitchell, Veronica, "Robin Holder's Mystical, Magical Mysteries": [19] 14-15

Monda, Kimberly, "Self-Delusion and Self-Sacrifice in Nella Larsen's Quicksand": [31] 23-39

Monroe, John G., "Charles Gilpin and the Drama League Controversy": [16] 139-141

Montgomery, Maxine Lavon, "A Pilgrimage to the Origins: The Apocalypse as Structure and Theme in Toni Morrison's Sula": [23] 127-137
--, "Authority, Multivocality, and the New World Order in Gloria Naylor's Bailey's Cafe": [29] 27-33

Moody, Joycelyn K., "Ripping Away the Veil of Slavery: Literacy, Communal Love, and Self-Esteem in Three Women's Slave Narratives": [24] 633-648; "A Letter from the Editor": [38] 357-358

Moos, Dan, "Reclaiming the Frontier: Oscar Micheaux as Black Turnerian": [36] 357-381

Morales, Donald M., "Do Black Theatre Institutions Translate into Great Drama?": [31] 633- 637

Morgan, Thomas L., "The City as Refuge: Constructing Urban Blackness in Paul Laurence Dunbar's The Sport of the Gods and James Weldon Johnson's The Autobiography of an Ex-Colored Man": [38] 213-237

Morrison, Kathleen, "The Second Self as Vision of Horror in Wole Soyinka's The Interpreters": [22] 753-765

Morrison, Toni, "On Behalf of Henry Dumas": [22] 310-312

Morsberger, Robert E., "Segregated Surveys: American Literature": [4] 3-8

Moses, Cat, "The Blues Aesthetic in Toni Morrison's The Bluest Eye": [33] 623-637

Moses, Wilson J., "The Lost World of the Negro, 1895-1919: Black Literary and Intellectual Life before the 'Renaissance' ": [21] 61-84

Mullen, Bill, "Popular Fronts: Negro Story Magazine and the African American Literary Response to World War II": [30] 5-15

Mullen, Harryette, " ' When he is least himself': Dunbar and Double Consciousness in African American Poetry": [42] 277-282

Munro, C. Lynn, "The Tattooed Heart and the Serpentine Eye: Morrison's Choice of an Epigraph for Sula": [18] 150-154

Musgrave, Marian, "Heinrich Heine's Anti-Slavery Thought": [6] 91-93, 84

Muther, Elizabeth, "Isadora at Sea: Misogyny as Comic Capital in Charles Johnson's Middle Passage": [30] 649-658
--., "Bambara's Feisty Girls: Resistance Narratives in Gorilla, My Love": [36] 447-459

Mutima, Niamani, "Hatch-Billops Archives Interviews with Black Playwrights": [10] 64-65

Myer, Shirley, "The Identity of 'The Man Who Lived Underground' ": [4] 52-55

Myers, Jeffrey, "Other Nature: Resistance to Ecological Hegemony in Charles W. Chesnutt's The Conjure Woman": [37] 5-20

Myers, Karen Magee, "Mythic Patterns in Charles Waddell Chesnutt's The Conjure Woman and Ovid's Metamorphoses": [13] 13-17