Page, Philip, "Circularity in Toni Morrison's Beloved": [26] 31-39
--, "Traces of Derrida in Toni Morrison's Jazz": [29] 55-66
--, "Furrowing All the Brows: Interpretation and the Transcendent in Toni Morrison's Paradise": [35] 639-651

Palmer, Ronald D., "Memories of Sterling Brown": [31] 433-435

Papa, Lee, " ' "His feet on your neck" ': The New Religion in the Works of Ernest J. Gaines": [27] 187-193

Paquet, Sandra Pouchet, "West Indian Autobiography": [24] 357-374
--, "The Heartbeat of a West Indian Slave: The History of Mary Prince ": [26] 131-146
--, "The Enigma of Arrival: The Wonderful Adventures of Mrs. Seacole in Many Lands": [26] 651-663

Paquet-Deyris, Anne-Marie, "Toni Morrison's Jazz and the City": [35] 219-231

Park, Sue S., "A Study in Tension: Gwendolyn Brooks's 'The Chicago Defender Sends a Man to Little Rock' ": [11] 32-34

Patterson, Anita, "FORGOTTEN MANUSCRIPTS: 'And Bid Him Translate: Langston Hughes's Translations of Poetry from French,' by Alfred Guillaume": [41] 407-417

Patterson, Martha H., " 'kin' o' rough jestice fer a parson': Pauline Hopkins's Winona and the Politics of Reconstructing History": [ 32] 445-460

Patterson, Raymond R., " 'like we in hell': Henry Dumas's 'Knees of a Natural Man' ": [22] 321-324

Patton, Sharon F., "Vincent Smith: Images and Evocations": [19] 26-27

Pavlić, Edward, "Syndetic Redemption: Above-Underground Emergence in David Bradley's The Chaneysville Incident": [30] 165-184
--, " 'something patterned, wild, and free': Robert Hayden's Angles of Descent and the Democratic Unconscious": [36] 533-555
--, " 'Papa Legba, Ouvrier Barriere Pour Moi Passer': Esu in Their Eyes & Zora Neale Hurston's Diasporic Modernism": [38] 61-85

Pawley, Thomas D., "Three Views of the Returning Black Veteran": [16] 163-167

Payne, Alma J., "Guest Editor's Note": [8] 259

Pearse, Adetokunbo, "The Mystique Factor in Dumas's 'Ark of Bones' ": [22] 325-327

Pereira, Malin, " 'When the pear blossoms / cast their pale faces on / the darker face of the earth': Miscegenation, the Primal Scene, and the Incest Motif in Rita Dove's Work": [36] 195-212

Perkins, Kathy A., "Black Backstage Workers, 1900-1969": [16] 160-163
--, "The Genius of Meta Warrick Fuller": [24] 65-72

Pessoni, Michele, " 'She was laughing at their God': Discovering the Goddess Within in Sula": [29] 439-451

Peters, Erskine, "The Poetics of the Afro-American Spiritual": [23] 559-578

Peterson, Dale E., "Richard Wright's Long Journey from Gorky to Dostoevsky": [28] 375-387

Pettis, Joyce, " 'Talk' as Defensive Artifice: Merle Kinbona in The Chosen Place, The Timeless People": [26] 109-117

Pfeiffer, Kathleen, "Individualism, Success, and American Identity in The Autobiography of an Ex-Colored Man": [30] 403-419

Philipson, Robert, "The Harlem Renaissance as Postcolonial Phenomenon": [40] 145-160

Pickens, Donald K., "Uncle Tom Becomes Nat Turner: A Commentary on Two American Heroes": [3] 45-48

Pierce, Yolanda, "That Old Time Religion: Christian Faith in Dunbar's 'The Strength of Gideon' ": [42] 313-318

Pifer, Lynn, "Coming to Voice in Alice Walker's Meridian: Speaking Out for the Revolution": [26] 77-88

Pinder, Kymberly N., " 'Our Father, God; Our Brother, Christ; or are we bastard kin?': Images of Christ in African American Painting": [31] 223-233

Plum, Jay, "Blues, History, and the Dramaturgy of August Wilson": [27] 561-567

Powell, Richard J., "William H. Johnson's Minde Kerteminde": [20] 393-403

Powell, Timothy B., "Toni Morrison: The Struggle to Depict the Black Figure on the White Page": [24] 747-760

Powers, Peter, " 'The Singing Man Who Must Be Reckoned With': Private Desire and Public Responsibility in the Poetry of Countée Cullen": [34] 661-678

Prahlad, Anand, "Guess Who's Coming to Dinner: Folklore, Folkloristics, and African American Literary Criticism": [33] 565-575

Pyros, John, "Richard Wright: A Black Novelist's Experience in Film": [9] 53-54