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Rampersad, Arnold, "Future Scholarly Projects on Langston Hughes": [21] 305-316
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Randle, Gloria T., "Between the Rock and the Hard Place: Mediating Spaces in Harriet Jacobs's Incidents in the Life of a Slave Girl": [33] 43-56

Rayson, Ann L., "Dust Tracks on a Road: Zora Neale Hurston and the Form of Black Autobiography": [7] 39-45  
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Redden, Dorothy S., "Richard Wright and Native Son: Not Guilty": [10] 111-116

Reddy, Maureen T., "The Tripled Plot and Center of Sula": [22] 29-45

Redmond, Eugene B., "Introduction: The Ancient and Recent Voices within Henry Dumas": [22] 143-154

Reed, Ishmael, "American Poetry: A Buddhist Take-Over?" [12] 3-11
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Reed, Kenneth T., "Washington Irving and the Negro": [4] 43-44

Reeves, William J., "The Significance of Audience in Black Poetry": [9] 30-32

Reid, Mark A., "Dialogic Modes of Representing Africa(s): Womanist Film": [25] 375-388

Reid, E. Shelley, "Beyond Morrison and Walker: Looking Good and Looking Forward in Contemporary Black Women's Stories": [34] 329-346

Reid-Pharr, Robert F., "Disseminating Heterotopia": [28] 347-357

Reilly, John M., " 'Sonny's Blues': James Baldwin's Image of Black Community": [4] 56-60
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Retman, Sonnet, " 'Nothing was Lost in the Masquerade': The Protean Performance of Genre and Identity in Charles Johnson's Oxherding Tale": [33] 417-437

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Richards, Sandra L., "Conflicting Impulses in the Plays of ntozake shange": [17] 73-78

Richter, Stephan, "The Beauty of Building, Dwelling, and Monk: Aesthetics, Religion, and the Architectural Qualities of Jazz": [29] 259-268

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Riggs, Marlon, "Black Macho Revisited: Reflections of a Snap! Queen": [25] 389-394

Roberts, John W., "The Individual and the Community in Two Short Stories by Ernest J. Gaines": [18] 110-113

Roberts, Robin, " 'Ladies First': Queen Latifah's Afrocentric Feminist Music Video": [28] 245-257

Robey, Judith, "Generic Strategies in Zora Neale Hurston's Dust Tracks on a Road": [24] 667-682

Robinson, Edward A., "The Pekin: The Genesis of American Black Theater": [16] 136-138

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Robinson, Vivian, "The First Ten Years of AUDELCO": [17] 79-81

Rodgers, Lawrence R., "Dorothy West's The Living Is Easy and the Ideal of Southern Folk Community": [26] 161-172

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Roe, Jae H., "Keeping an 'Old Wound' Alive: The Marrow of Tradition and the Legacy of Wilmington": [33] 231-243

Roethler, Jacque, "Reading in Color: Children's Book Illustrations and Identity Formation for Black Children in the United States": [32] 95-105

Rogal, Samuel J., "Phillis Wheatley's Methodist Connection": [21] 85-95

Rogers, Norma, "Introduction to Lower East Side Retrospective": [27] 569-570

Rogers, Susan, "Embodying Cultural Memory in Paule Marshall's Praisesong for the Widow": [34] 77-93

Rollins, Charlamae, "Promoting Racial Understanding through Books": [2] 71-76

Romero, Channette, "Creating the Beloved Community: Religion, Race, and Nation in Toni Morrison's Paradise": [39] 415-430

Roney, Lisa C., "The Double Vision of Clarence Major, Painter and Writer": [28] 65-75

Roney, Patrick, "The Paradox of Experience: Black Art and Black Idiom in the Work of Amiri Baraka": [37] 407-427

Rose, Al, "The Saxophone: Its Strange Origins": [29] 233

Rosenberg, Neil V., "The Communication of Attitudes: White Folklore about Negroes": [3] 88-90

Rosenberg, Ruth, "Seeds in Hard Ground: Black Girlhood in The Bluest Eye": [21] 435-445

Roses, Lorraine Elena, and Ruth Elizabeth Randolph, "Marita Bonner: In Search of Other Mothers' Gardens": [21] 165-183

Rothberg, Michael, "Dead Letter Office: Conspiracy, Trauma, and Song of Solomon's Posthumous Communication": [37] 501-516

Rottenberg, Catherine, "Begging to Differ: Nella Larsen's Quicksand and Anzia Yezierska's Arrogant Beggar": [41] 87-98

Roy, Darlene, "Henry Dumas--Master Storyteller": [22] 343-345

Royer, Daniel J., "The Process of Literacy as Communal Involvement in the Narratives of Frederick Douglass": [28] 363-374

Royster, Philip M., "In Search of Our Fathers' Arms: Alice Walker's Persona of the Alienated Darling": [20] 347-370

Rushdy, Ashraf H. A., "The Phenomenology of the Allmuseri: Charles Johnson and the Subject of the Narrative of Slavery": [26] 373-394
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--, " 'Relate Sexual to Historical': Race, Resistance, and Desire in Gayl Jones's Corregidora": [34] 273-297

Ruth, Leo P., ed., "Convention Concerns, 1968": [3] 3-4

Ryan, Frank L., "The Colored Village: A Ghetto Remembered": [5] 69-72

Ryan, Katy, "Revolutionary Suicide in Toni Morrison's Fiction": [34] 389-412