Saakana, Amon Saba, "Culture, Concept, and Aesthetics: The Phenomenon of the African Musical Universe in Western Musical Culture": [29] 329-340

Sale, Maggie, "Call and Response as Critical Method: African-American Oral Traditions and Beloved": [26] 41-50

Salvaggio, Ruth, "Octavia Butler and the Black Science-Fiction Heroine": [18] 78-81

Samuels, Wilfred D., "Disguised Voice in The Interesting Narrative of Olaudah Equiano, or Gustavus Vassa, the African": [19] 64-69

Sanders, Leslie Catherine, " 'I've wrestled with them all my life': Langston Hughes's Tambourines to Glory": [25] 63-72

Sanders, Mark A., "Sterling A. Brown and the Afro-Modern Moment": [31] 393-397

Sanders, Pamela Peden, "The Feminism of Dorothy West's The Living is Easy: A Critique of the Limitations of the Female Sphere through the Performative Gender Roles": [36] 435-446

Sandiford, Keith A., "Paule Marshall's Praisesong for the Widow : The Reluctant Heiress, or Whose Life Is It Anyway?" [20] 371-392

Sapirstein, Ray, "Picturing Dunbar's Lyrics": [42] 327-339

Savery, Pancho, " 'Git a Stool. Let Me Tell You Something': Call and Response in No Day of Triumph": [24] 277-298

Savory, Jerold J., "Bigger Thomas and the Book of Job: The Epigraph to Native Son": [9] 55-56

Sayre, Robert F., "Red Men, Black Men, and the Great White Fathers": [6] 46-51

Schafer, Elizabeth, " 'I'm Gonna Glory in Learnin' ': Academic Aspirations of African American Characters in Children's Literature": [32] 57-66

Scharine, Richard G., "Ed Bullins Was Steve Benson (But Who Is He Now?)": [13] 103-109

Schatt, Stanley, "You Must Go Home Again: Today's Afro-American Expatriate Writers": [7] 80-82

Schmidt, Tyler, " 'in the glad flesh of my fear': Corporeal Inscriptions in Richard Bruce Nugent's Geisha Man": [40] 161-173

Schmudde, Carol E., "The Haunting of 124": [26] 409-416

Schroeder, Patricia R., "Rootwork: Arthur Flowers, Zora Neale Hurston, and the 'Literary Hoodoo' Tradition": [36] 263-272

Schultz, Elizabeth, "Jean Toomer's 'Box Seat': The Possibility for 'Constructive Crisises' ": [13] 7-12
--, "The Power of Blackness: Richard Wright Re-Writes Moby-Dick": [33] 639- 654

Schwalbenberg, Peter, "Time as Point of View in Zora Neale Hurston's Their Eyes Were Watching God": [10] 104-105, 107-108

Scott, Daniel M., III, "Interrogating Identity: Appropriation and Transformation in Middle Passage": [29] 645-655

Scott-Childress, Reynolds J., "Paul Laurence Dunbar and the Project of Cultural Reconstruction": [42] 367-375

Scruggs, Charles W., "Alain Locke and Walter White: Their Struggle for Control of the Harlem Renaissance": [14] 91-99
--, "The Pastoral and the City in Carl Franklin's One False Move": [38] 323-334

Seale, Lea, and Marianne Seale, "Easter Rock: A Louisiana Negro Ceremony": [25] 27-33

Selinger, Eric, "Aunts, Uncles, Audience: Gender and Genre in Charles Chesnutt's The Conjure Woman": [25] 665-688

Selzer, Linda, "Race and Domesticity in The Color Purple": [29] 67-82
--, "Reading the Painterly Text: Clarence Major's 'The Slave Trade: View from the Middle Passage' ": [33] 209-229
--, "Master-Slave Dialectics in Charles Johnson's 'The Education of Mingo' ": [37] 105-114

Shalom, Jack, "The Ira Aldridge Troupe: Early Black Minstrelsy in Philadelphia": [28] 653-658

Shannon, Sandra G., "The Long Wait: August Wilson's Ma Rainey's Black Bottom": [25] 135-146
--, "A Transplant That Did Not Take: August Wilson's Views on the Great Migration": [31] 659-666
--, "Evolution or Revolution in Black Theater: A Look at the Cultural Nationalist Agenda in Select Plays by Amiri Baraka": [37] 281-298

Shapiro, Herbert, "The Confessions of Nat Turner: William Styron and His Critics": [9] 99-104

Sheehy, John, "The Mirror and the Veil: The Passing Novel and the Quest for American Racial Identity": [33] 401-415

Sherard, Tracey, "Sonny's Bebop: Baldwin's 'Blues Text' as Intracultural Critique": [32] 691-705

Sherrard-Johnson, Cherene, " 'This plague of their own locusts': Space, Property, and Identity in Dorothy West's The Living is Easy": [38] 609-624

Shields, John P., " 'Never Cross the Divide': Reconstructing Langston Hughes's Not Without Laughter": [28] 601-613

Shiffman, Dan, "Richard Wright's 12 Million Black Voices and World War II-era Civic Nationalism": [41] 443-458

Shin, Andrew, and Barbara Judson, "Beneath the Black Aesthetic: James Baldwin's Primer of Black American Masculinity": [32] 247-261

Shine, Ted, "Charles Sebree, Modernist": [19] 6-8

Shinn, Christopher A., "Masquerade, Magic, and Carnival in Ralph Ellison's Invisible Man": [36] 243-262

Shockley, Evie, "Buried Alive: Gothic Homelessness, Black Women's Sexuality, and (Living) Death in Ann Petry's The Street": [40] 439-460

Siegel, Roslyn, "The Black Man and the Macabre in American Literature": [10] 133-136

Silverman, Debra B., "Nella Larsen's Quicksand: Untangling the Webs of Exoticism": [27] 599-614

Simmons, Hortense E., "Sterling A. Brown's 'Literary Chronicles' ": [31] 443-447

Simmons, Ryan, " 'The Hierarchy Itself': Hurston's Their Eyes Were Watching God and the Sacrifice of Narrative Authority": [36] 181-194

Singer, Marc, " 'Black Skins' and White Masks: Comic Books and the Secret of Race": [36] 107-120

Singh, Raman K., "Christian Heroes and Anti-Heroes in Richard Wright's Fiction": [6] 99-104, 131

Sirmans, Meredith, "Collecting the Work of Black Artists": [19] 140-141

Sitter, Deborah Ayer, "The Making of a Man: Dialogic Meaning in Beloved ": [26] 17-29

Skinner, Beverly Lanier, "Sterling Brown: An Ethnographic Perspective": [31] 417-422

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Sloboda, Nicholas, "Retelling Our Selves: Collective Memory and the Body in Charlotte Watson Sherman's One Dark Body": [32] 317-329

Small, Robert C., "South Town: A Junior Novel of Prejudice": [4] 136-141
--, "The Junior Novel and Race Relations": [8] 184-189

Smethurst, James, "Invented by Horror: The Gothic and African American Literary Ideology in Native Son": [35] 29-40
--, " 'Pat Your Foot and Turn the Corner': Amiri Baraka, the Black Arts Movement, and the Poetics of a Popular Avant-Garde": [37] 261-270
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Smith, Anneliese H., "Part of the Problem: Student Responses to Sherwood Anderson's 'I Want to Know Why' ": [7] 28-31

Smith, Cynthia J., " 'To Mæcenas': Phillis Wheatley's Invocation of an Idealized Reader": [23] 579-592

Smith, Felipe, "Alice Walker's Redemptive Art": [26] 437-451

Smith, Katharine Capshaw, "Childhood, the Body, and Race Performance: Early 20^th-Century Etiquette Books for Black Children": [40] 795-811

Smith, Sandra Lewis, "Norma Morgan: A Matter of Balance": [19] 34-35

Smith, Shawn Michelle, " 'Looking at One's Self Through the Eyes of Others': W. E. B. Du Bois's Photographs for the 1900 Paris Exposition": [34] 581-599

Smith, Virginia Whatley, "Sorcery, Double-Consciousness, and Warring Souls: An Intertextual Reading of Middle Passage and Captain Blackman": [30] 659-674

Smitherman, Geneva, "Black Idiom": [5] 88-91, 115-117

Snead, James A., "On Repetition in Black Culture": [15] 146-154

Socken, June, "Charles Waddell Chesnutt and the Solution to the Race Problem": [3] 52-56

Sorisio, Carolyn, "Unmasking the Genteel Performer: Elizabeth Keckley's Behind the Scenes and the Politics of Public Wrath"; [34] 19-38

Sotto, Wiveco, "Comets and Walking Corpses: A Reading of Wole Soyinka's Play Requiem for a Futurologist": [22] 683-693

Southern, Eileen, "The Antebellum Church": [25] 23-26

Soyinka, Wole, "The Critic and Society: Barthes, Leftocracy, and Other Mythologies": [15] 133-146
--, "This Past Must Address Its Present": [22] 429-446
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Spencer, Jon Michael, "The Black Church and the Harlem Renaissance": [30] 453-460

Spencer, Suzette, "Historical Memory, Romantic Narrative, and Sally Hemings": [40] 507-531

Spillers, Hortense J., "Formalism Comes to Harlem": [16] 58-63

Spratt, Talmadge, "About the Douglass House Foundation": [4] 75-78

Stacks, Geoffrey, "Simon Wasn't There: The Sambo Strategy, Consumable Theater, and Rebecca Gilman's Spinning into Butter": [40] 285-297

Stanford, Ann Folwell, "Dialectics of Desire: War and the Resistive Voice in Gwendolyn Brooks's 'Negro Hero' and 'Gay Chaps at the Bar' ": [26] 197-211

Stark, John, "Invisible Man: Ellison's Black Odyssey": [7] 60-63

Stavney, Anne, " 'Mothers of Tomorrow': The New Negro Renaissance and the Politics of Maternal Representation": [32] 533-561

Steele, Thomas J., "Tom and Eva: Mrs. Stowe's Two Dying Christs": [6] 85-90

Steele, Vincent, "Tom Feelings: A Black Arts Movement": [32] 119-124

Stein, Karen F., "Toni Morrison's Sula: A Black Woman's Epic": [18] 146-150
--, "Meridian: Alice Walker's Critique of Revolution": [20] 129-141

Steinberg, Marc, "Inverting History in Octavia Butler's Postmodern Slave Narrative": [38] 467-476

Stephens, Judith L., "Anti-Lynch Plays by African American Women: Race, Gender, and Social Protest in American Drama": [26] 329-339
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--, "Racial Violence and Representation: Performance Strategies in Lynching Dramas of the 1920s": [33] 655-671
--, "Art, Activism, and Uncompromising Attitude in Georgia Douglas Johnson's Lynching Plays": [39] 87-102

Steward, Douglas, "Saint's Progeny: Assotto Saint, Gay Black Poets, and Poetic Agency in the Field of the Queer Symbolic": [33] 507-518

Storhoff, Gary, " 'The Only Voice Is Your Own': Gloria Naylor's Revision of The Tempest ": [29] 35-45
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Storm, William, "Reactions of a 'Highly-Strung Girl': Psychology and Dramatic Representation in Angelina W. Grimké's Rachel": [27] 461-471

Story, Ralph, "An Excursion into the Black World: The 'Seven Days' in Toni Morrison's Song of Solomon": [23] 149-158

Stratton, Florence, "Wole Soyinka: A Writer's Social Vision": [22] 531-553

Striker, Ardelle, "Spectacle in the Service of Humanity: The Negrophile Play in France from 1789 to 1850": [19] 76-82

Strombeck, Andrew, "The Conspiracy of Masculinity in Ishmael Reed": [40] 299-311

Strother, T. Ella, "The Race-Identity Function of the Black Press": [12] 92-99

Sullivan, James D., "Killing John Cabot and Publishing Black: Gwendolyn Brooks's Riot": [36] 557-569

Sullivan, Nell, "Nella Larsen's Passing and the Fading Subject": [32] 373-386

Sutton, William A., "Personal Liberty across Wide Horizons: Sandburg and the Negro": [2] 19-21

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Swope, Richard, "Crossing Western Space, or the HooDoo Detective on the Boundary in Ishmael Reed's Mumbo Jumbo": [36] 611-628

Sylvander, Carolyn W., "Ralph Ellison's Invisible Man and Female Stereotypes": [9] 77-79