Waddell, Edward W., Jr., "Juan Logan, Artist": [19] 30-31

Walby, Celestin, "The African Sacrificial Kingship Ritual and Johnson's Middle Passage": [29] 657-669

Walcott, Ronald, "Chesnutt's 'The Sheriff's Children' as Parable": [7] 83-85

Walden, Daniel, "Black Music and Cultural Nationalism: The Maturation of Archie Shepp": [5] 150-154
--, "Du Bois's Pan-Africanism: A Reconsideration": [8] 260-262

Waldron, Edward E., "The Blues Poetry of Langston Hughes": [5] 140-149
--, "William Attaway's Blood on the Forge: The Death of the Blues": [10] 58-60

Waligora-Davis, Nicole A., "Dunbar and the Science of Lynching": [42] 303-311

Walker, Carolyn P., "Liberating Christ: Sargeant's Metamorphosis in Langston Hughes's 'On the Road' ": [25] 745-752

Walker, Ethel Pitts, "Traditional African Theatre": [17] 14

Walker, Pierre A., "Zora Neale Hurston and the Post-Modern Self in Dust Tracks on a Road": [32] 387-399

Walker, Victor Leo, II, "The National Black Theatre Summit 'On Golden Pond'--March 2-7, 1998": [31] 621-627
--, "The Old Settler is Far from Settled": [31] 717-721

Wall, Cheryl A., "Passing for What? Aspects of Identity in Nella Larsen's Novels": [20] 97-111
--, "Mules and Men and Women: Zora Neale Hurston's Strategies of Narration and Visions of Female Empowerment": [23] 661-680

Wallenstein, Barry, "Poetry and Jazz: A Twentieth-Century Wedding": [25] 595-620

Walter, Krista, "Trappings of Nationalism in Frederick Douglass's The Heroic Slave": [34] 233-247

Walters, Wendy W., "Limited Options: Strategic Maneuverings in Himes's Harlem": [28] 615-631

Walther, Malin LaVon, "Out of Sight: Toni Morrison's Revision of Beauty": [24] 775-789

Wang, Qun, "Towards a Poetization of the 'Field of Manners' ": [29] 605-613

Ward, Jerry W., Jr., BACK TALK: "Katrina: A Matrix of Stories": [39] 279-280
--, "The Black Critic as Reader": [14] 21-23
--, "Black South Literature: Before Day Annotations (for Blyden Jackson)": [27] 315-326
--, "Reading South: Poets Mean & Poems Signify--A Note on Origins": [27] 125-126
--, "The Art of Tom Dent: Notes on Early Evidence": [40] 319-324

Wardi, Anissa J., "Inscriptions in the Dust: A Gathering of Old Men and Beloved as Ancestral Requiems": [36] 35-54
--, "Freak Shows, Spectacles, and Carnivals: Reading Jonathan Demme's Beloved": [39] 513-526

Wardrop, Daneen, " 'While I Am Writing': Webster's 1825 Spelling Book , the Ell, and Frederick Douglass's Positioning of Language": [32] 649-660

Wartts, Charles, Jr., "Henry Dumas: A Coat Spun of Race, Rivers, and Rainbows": [22] 388-393

Washington, J. Charles, "A Raisin in the Sun Revisited": [22] 109-124

Washington, Mary Helen, "Teaching Black-Eyed Susans: An Approach to the Study of Black Women Writers": [11] 20-24

Washington, Teresa N., "The Mother-Daughter Àjé Relationship in Toni Morrison's Beloved": [39] 171-188

Watkins, Nayo Barbara M., "Miz Culchure Lady": [27] 47-49

Watkins, Patricia D., "The Paradoxical Structure of Richard Wright's 'The Man Who Lived Underground' ": [23] 767-783

Weathers, Glenda B., "Biblical Trees, Biblical Deliverance: Literary Landscapes of Zora Neale Hurston and Toni Morrison": [39] 201-212

Weaver, Michael S., " 'When I Get To Be A Composer': A Tribute to George H. Bass": [25] 5-7
--, "Makers and Redeemers: The Theatricality of the Black Church": [25] 53-61

Weik, Alexa, " 'The Uses and Hazards of Expatriation': Richard Wright's Cosmopolitanism in Process": [41] 459-475

Weixlmann, Joe, "Staged Segregation: Baldwin's Blues for Mister Charlie and O'Neill's All God's Chillun Got Wings": [11] 35-36
--, "Opening Remarks for the 1977 MLA Seminar 'The Uses and Meaning of History in Modern Black American Fiction' ": [11] 123
--, "Out-of-Print No Longer: The Howard University Library of Contemporary Literature": [18] 167-168
--, "The Way We Were, The Way We Are, The Way We Hope to Be": [20] 3-7
--, "A Tribute to Darwin T. Turner (1931-1991)": [25] 8-9
--, "Introducing AfricanAmericanReview ": [26] 5-6

Werner, Craig, "Dumas, Nationalism, and Multicultural Mythology": [22] 394-399
--, "On the Ends of Afro-American 'Modernist' Autobiography": [24] 203-220
--, "Blues for T. S. Eliot and Langston Hughes: The Afro-Modernist Aesthetic of Harlem Gallery": [24] 453-472

Wesley, Marilyn C., "Power and Knowledge in Walter Mosley's Devil in a Blue Dress": [35] 103-116.

Wessling, Joseph H., "Pressures on the Black Intellectual": [3] 117-118

West, Stan, "Tip-Toeing on the Tightrope: A Personal Essay on Black Writer Ambivalence": [32] 285-291

Weyant, N. Jill, "Lyrical Experimentation in Willard Motley's Mexican Novel: Let Noon Be Fair": [10] 95-99
--, "Willard Motley's Pivotal Novel: Let No Man Write My Epitaph": [11] 56-61

Whitsitt, Sam, "In Spite of It All: A Reading of Alice Walker's 'Everyday Use'": [34] 443-459

Whitted, Qiana, "In My Flesh Shall I See God: Ritual Violence and Racial Redemption in 'The Black Christ' ": [38] 379-393

Wideman, John, "Defining the Black Voice in Fiction": [11] 79-82

Wiggins, William H., Jr., "Pilgrims, Crosses, and Faith: The Folk Dimensions of Heaven Bound": [25] 93-100

Wilentz, Gay, "Civilizations Underneath: African Heritage as Cultural Discourse in Toni Morrison's Song of Solomon": [26] 61-76

Wilkerson, Margaret B., "The Sighted Eyes and Feeling Heart of Lorraine Hansberry": [17] 8-13
--, "Excavating Our History: The Importance of Biographies of Women of Color": [24] 73-84

Wilks, Jennifer M., "New Women and New Negroes: Archetypal Womanhood in The Living Is Easy": [39] 569-579

Winther, Per, "Imagery of Imprisonment in Ralph Ellison's Invisible Man": [17] 115-119

Williams, Dana, "Preachin' and Singin' Just to Make It Over: The Gospel Impulse as Survival Strategy in Leon Forrest's Bloodworth Trilogy": [36] 475-485

Williams, John A., "Painting in Sound": [19] 9-11
--, "Henry Dumas: Black Word-Worker": [22] 402-404

Williams, Melvin G., "Langston Hughes's Jesse B. Semple: A Black Walter Mitty": [10] 66-69
--, "Black and White: A Study in Flannery O'Connor's Characters": [10] 130-132
--, "The Gospel According to Simple": [11] 46-48
--, "Black Literature vs. Black Studies: Three Lynchings": [11] 104-107
--, "Now and Then: William Branch's In Splendid Error": [12] 110-112
--, "Bringing Readers to Their Senses: Imagery in Richard Wright's Uncle Tom's Children": [13] 18-19

Williams, Sherley Anne, "Remembering Prof. Sterling A. Brown, 1901-1989": [23] 106-108

Willis, Robert J., "Anger and the Contemporary Black Theatre": [8] 213-215

Willis, Susan, "Eruptions of Funk: Historicizing Toni Morrison": [16] 34-42

Wills, Antony A., "The Use of Coincidence in 'Notes of a Native Son' ": [8] 234-235

Wilson, Matthew, "The African American Historian: David Bradley's The Chaneysville Incident": [29] 97-107

Wilson, Ted, "Nothing New Under the Sun": [19] 42-43

Wirth, Thomas H., "Richard Bruce Nugent": [19] 16-17

Witkovsky, Matthew S., "Experience vs. Theory: Romare Bearden and Abstract Expressionism": [23] 257-282

Wolfe, Jesse, "'Ambivalent Man': Ralph Ellison's Rejection of Communism": [34] 621-637

Wolff, Maria Tai, "Listening and Living: Reading and Experience in Their Eyes Were Watching God": [16] 29-33

Wong, Edlie, " 'Neither is Memory Always Thus Avenging': Longing for Kinship in Julia C. Collins's The Curse of Caste; or The Slave Bride": [40] 687-704

Wood, Charles, "The Adventure Manuscript: New Light on Willard Motley's Naturalism": [6] 35-38

Wood, Rebecca S., " 'Two Warring Ideals in One Dark Body': Universalism and Nationalism in Gloria Naylor's Bailey's Cafe": [30] 381-395

Woodson, Jon, "Zora Neale Hurston's Their Eyes Were Watching God and the Influence of Jens Peter Jacobsen's Marie Grubbe": [26] 619-635

Wormsby, Hollis, Jr., "Henry Dumas: Anger, Humor, Love, and Dispossession": [22] 408-411

Worth, Robert F., "Nigger Heaven and the Harlem Renaissance": [29] 461-473

Wright, John S., "The New Negro Poet and the Nachal Man: Sterling Brown's Folk Odyssey": [23] 95-105

Wright, Sarah E., "The Lower East Side: A Rebirth of World Vision": [27] 593-596