Res Philosophica Conference on Race and Gender
For more information, visit http://www.resphilosophica.org/events/conference/
Call for Papers
2018 MLA Panel
The LLC African American (MLA) is seeking proposals for its 2018 (MLA) panel in NYC. The focus is the fiction of Colson Whitehead. We invite a broad range of papers that discuss any of his novels. The deadline is 10 March 2017. Please send a 200-word abstract and 2-page CV to: Thabiti Lewis at Thabiti@wsu.edu.
Massachusetts Historical Society Research Fellowships
The Massachusetts Historical Society will offer more than three dozen research fellowships for the academic year 2017-2018, including two MHS-NEH Long-term Fellowships made possible by an award from the National Endowment for the Humanities. The stipend, governed by an NEH formula, is $4,200 per month for a minimum of four and a maximum of twelve months. The Society adds a monthly supplement, payable directly to the MHS-NEH Fellow, of $562.50. The deadline for MHS-NEH applications is January 15, 2017.
MHS Short-term Fellowships carry a stipend of $2,000 to support four or more weeks of research in the Society's collections. Among these is the African American Studies Fellowship to support research in African American history. The Short-term application deadline is March 1, 2017.
The Boston Athenaeum and the MHS will offer one Suzanne and Caleb Loring Fellowship on the Civil War, its Origins, and Consequences for at least four weeks at each institution. This fellowship carries a stipend of $4,000. The Loring application deadline is February 15, 2017.
The Society also participates in the New England Regional Fellowship Consortium of twenty-two organizations. These grants provide a stipend of $5,000 for a total of eight or more weeks of research conducted at three or more participating institutions. The deadline for NERFC applications is February 1, 2017.
The Harriet Wilson Project
The purpose of The Harriet Wilson Project is to raise awareness of Harriet Wilson and her literary work, to educate the public on her contribution to American history and her contribution to American literature, and to publicly honor her for her accomplishments. It is the intent of The Harriet Wilson Project to promote, preserve, and seek recognition of Harriet Wilson's book Our Nig; or, Sketches from the Life of a Free Black for its historical significance, and to provide a fitting memorial in her honor. Incorporated as a non-profit organization in April 2003, The Harriet Wilson Project was formed by a group of civic-minded citizens of different ethnicities who came together to raise awareness, celebrate, and honor the life and accomplishments of Harriet Wilson, a pre-Civil War black author from Milford, New Hampshire.
The Claude McKay Collection
The Beinecke Rare Book & Manuscript Library at Yale University is home to the Claude McKay Collection. McKay (1890-1948), one of the major figures of the Harlem Renaissance, wrote several collections of poetry, novels, short stories, autobiographical and other nonfiction books. Born in Jamaica, he lived in the United States, primarily in New York, from 1913-1919, and then spent most of the next fifteen years in England, Russia, France, Spain and Morocco before returning to New York in 1934. The collection has been reprocessed and consists of letters, manuscripts, personal papers, subject files, photographs and memorabilia. There is correspondence from many well-known writers and figures in the African American community from the first half of the twentieth century, including Langston Hughes, Countée Cullen, James Weldon Johnson, Carl Van Vechten, Harold Jackman, and Arna Bontemps. There are drafts of published and unpublished poetry collections, novels, autobiographical writings, and short story and essay compilations, including The Selected Poems of Claude McKay (1953), Harlem: Negro Metropolis (1940), "Romance in Marseille," an unpublished novel written in Spain in 1930, and My Green Hills of Jamaica (1979), McKay's autobiography of his youth. McKay contributed to many liberal and socialist journals, including Sylvia Pankhurst's Workers' Dreadnought and Max Eastman's The Liberator, and there are various pieces of nonfiction, most in draft form, as well as a few polemical newspaper articles dating from the early and late 1930s in which McKay responds to critics of his literary work and views on labor. The collection now includes previously unprocessed photographs and memorabilia. The two largest groups of photographs are those taken in Russia and North Africa, while McKay lived abroad, and studio portraits of well-known musicians and figures in the African American community. McKay was well received in Soviet Russia in the early 1920s, and there are photographs of Lenin, Trotsky and other high-ranking party officials, of McKay with members of the Russian Naval Academy and other groups, and of McKay addressing the Fourth Congress of the Communist International in the Throne Room at the Kremlin in Moscow. The memorabilia consists of clippings, photographs, program materials, and souvenirs from various events between 1979-1990 that honor McKay's life and work. The collection's finding aid may be found at http://hdl.handle.net/10079/fa/beinecke.mckay.