Subjects H

Hackley, Madame E. Azalia: [40] 795, 798-799, 801-804, 808
--The Colored Girl Beautiful: [40] 795, 801

Haley, Alex: [39] 103, 106-107, 109-110, 113-114

Hall, Prince: [34] 197-216

Halperin, David: [40] 226, 230

Hamilton, Virginia: [32] 147-156
--The Magical Adventures of Pretty Pearl: [32] 152-155
--Zeely: [32] 149-151

Hammett, Dashiell: [38] 493, 495, 497
--Maltese Falcon: [38] 495
--Red Harvest: [38] 493

Hammon, Jupiter: [40] 207-217
--“Address to Phillis Wheatley”: [40] 208-209, 215-216
--“Dialogue Entitled the Kind Master and the Dutiful Servant”: [40] 209, 215
--“Evening Thought”: [40] 209, 211-212, 215-216

Hanchard, Michael: [40] 560

Hancock, Herbie: [25] 643

Handy, George: [25] 643

Handy, W. C.: [20] 172, 197; [25] 634; [35] 5-28
--Father of the Blues: [35] 5-28

Hanna, Roland: [25] 643

Hansberry, Lorraine: [3] 109; [8] 213-214, 226-228; [10] 93-95; [11] 115; [17] 8-13, 37; [19] 160-162; [22] 109-124; [23] 139-148; [24] 73-81, 84; [32] 273-283; [33] 710-712; [35] 459-470; [39] 287-289, 293, 296, 298
--Les Blancs: [17] 12-13; [19] 162; [32] 273-283; [35] 459-470
--The Drinking Gourd: [17] 11-12
--A Raisin in the Sun: [3] 109; [8] 213-214, 226-228; [10] 93-95; [11] 115; [17] 10-11; [19] 161; [22] 109-124; [39] 287-289, 296
--The Sign in Sidney Brustein's Window: [17] 12; [19] 161-162
--Toussaint: [23] 139-148
--What Use Are Flowers?: [17] 12

Hardy, Myronn: [36] 512-513
--Approaching the Center: [36] 512-513

Harlem on the Prairie (film): [12] 130

Harlem Renaissance: [39] 55, 64, 67-68, 78, 80, 87-88, 90-95, 97-98, 125, 127-128, 319, 321-322, 570; [40] 145-159, 161-162, 171-172

Harper, Frances E. W.: [9] 92; [15] 60-65; [24] 651-652, 655-657; [30] 302-304; [33] 7-23; [34] 5-18; [37] 553-568; [38] 215-217, 442; [39] 39, 47, 52, 302; [40] 406, 412-413, 617-618, 624, 627-628, 631, 652, 657, 662, 688, 717, 726, 732, 737-740, 749, 755-765, 779-789, 813-814
--Iola Leroy, or Shadows Uplifted: [24] 651-652, 655-657; [33] 7-23; [34] 5-18; [37] 553-568; [38] 215-216, 442; [39] 39, 47, 52, 302; [40] 412-413, 617-618, 631, 652-653, 749, 755, 759, 763, 779-789
--Minnie's Sacrifice: [40] 618, 628, 653, 732, 737-740, 755-765
--Moses: A Story of the Nile: [15] 60, 62-63; [40] 760-761
--Sowing and Reaping: [40] 732
--"The Two Offers": [40] 627, 631

Harper, Michael S.: [13] 89-92; [14] 12; [16] 9; [24] 417-451; [32] 508-510; [34] 501-508; [36] 342-343; [39] 37
--"Alice": [16] 9
--"Black Man Go Back To The Old Country": [24] 444-445
--"Br'er Sterling and the Rocker": [13] 92
--"Bristol: Bicentennary Remembrances of Trade": [13] 92
--"Caves": [24] 429-430, 436-437
--"Corktown": [24] 433-434
--Dear John, Dear Coltrane: [13] 89, 90; [24] 441-442
--"Debridement": [24] 431-433
--Debridement: [13] 89-90; [24] 419, 426-439, 445-447
--"Healing Song": [13] 90
--"History as Apple Tree": [13] 91
--History Is Your Own Heartbeat: [13] 89, 90
--Honorable Amendments: [32] 508-510
--Images of Kin: [13] 89-92
--"A Love Supreme": [39] 27
--Nightmare Begins Responsibility: [13] 89, 92
--"Ode to Tenochtitlan": [13] 90-91
--"Song: I Want a Witness": [13] 91-92
--Song: I Want a Witness: [13] 89, 91-92
--Songs in Michaeltree: [36] 342-343
--"A White Friend Flies in from the Coast": [24] 427-430

Harper, Michael S., and Robert B. Stepto: [24] 448-449
--Chant of Saints: [24] 448-449

Harper, Phillip Brian: [40] 243-244

Harrington, Oliver W.: [30] 305-306

Harris, Eddie: [25] 643

Harris, Joel Chandler: [2] 75-76; [3] 98-99; [10] 134; [38] 21-33
--On the Plantation: [38] 21, 25, 33
--Uncle Remus: His Songs and Sayings: [38] 21-27, 29-31, 33

Harris, Peter J.: [30] 139-142
--Hand Me My Griot Clothes: [30] 139-142

Harris, Thomas Allen: [36] 273-282
--Vintage (film): [36] 273-282

Harrison, Hubert: [37] 160-161

Harrison, Richard Berry: [16] 142-146

Hartman, Saidiya: [40] 227

Hatch-Billops Archives: [9] 63-64; [10] 64-65

Hawes, Hampton: [20] 172

Hawkins, Coleman: [20] 172, 185, 198

Hawthorne, Nathaniel: [16] 4-5
--The Scarlet Letter: [16] 4-5

Hayden, Robert: [8] 291; [9] 21-24; [13] 24-31; [19] 58-59, 115-119, 130-131, 169-171; [33] 487-506; [36] 533-555; [37] 166-167; [38] 64, 66, 70, 75; [39] 20-21
--Angle of Ascent: [13] 24-31
--"Bahá'u'lláh in the Garden of Ridwan": [13] 25
--"The Ballad of Sue Ellen Westerfield": [36] 545-547
--"Beginnings": [13] 30
--"The Broken Dark": [13] 25
--"La Corrida": [13] 27
--"Dawnbreaker": [13] 25
--"Day of the Dead": [13] 26
--"Divers": [36] 537-542; [38] 64
--"El-Hajj Malik El-Shabazz": [13] 26
--"Electrical Storm": [36] 542-544
--"Figure": [13] 30
--"For a Young Artist": [13] 28
--"Full Moon": [13] 25
--"Idol": [13] 26
--" 'An Inference of Mexico' ": [13] 26-27
--"Kid (Cuernavaca)": [13] 27
--"Lear Is Gay": [19] 118
--"The Lions": [19] 116
--"Market": [9] 21-24; [13] 26-27
--"Middle Passage": [13] 29-30; [33] 487-506
--"Monet's 'Waterlilies' ": [19] 115-116
--"Mountains": [13] 26
--"Mourning Poem for the Queen of Sunday": [13] 27
--" ' "Mystery Boy" Looks for Kin in Nashville' ": [13] 30
--"Night, Death, Mississippi": [19] 58-59; [36] 547-548
--"October": [19] 117
--"The Peacock Room": [13] 28-29
--"A Plague of Starlings": [19] 119
--"The Return": [19] 117-118
--"Stars": [13] 24-25
--"'Summertime and the Living. . .'": [36] 548-551
--"Veracruz": [13] 26
--"Witch Doctor": [13] 27
--"Words in the Mourning Time": [13] 24, 25-26; [19] 115; [38] 64
--Words in the Mourning Time: [19] 115-119

Hayes, Terrance: [34] 558-559
--Muscular Music: [34] 558-559

Haynes, David: [33] 283-297
--Somebody Else's Mama: [33] 283-297

Haywood, Chanta M.: [40] 657, 722, 756

Heard, Nathan: [28] 395-410
--The Gapper Syndrome: [28] 400-401
--House of Slammers: [28] 403-404
--Howard Street: [28] 401-403
--Summer's Fool: [28] 398-399

Heath, Jimmy: [25] 643

Heath, Ted: [20] 181

Heaven Bound: [25] 83-100

Hegel, G. W. F.: [15] 147-149

Heine, Heinrich: [6] 91-93

Hemings, Sally: [40] 507-528

Hemingway, Ernest: [28] 661-663
--"Fathers and Sons": [28] 661-663

Hemphill, Essex: [39] 233

Henderson, David: [14] 106, 108; [27] 580, 583; [40] 327, 329, 331

Henderson, Fletcher: [20] 188, 198

Henderson, George Wylie: [39] 491-499
--Jule: [39] 491
--Ollie Miss: [39] 491-492
--" 'Thy Name Is Woman' ": [39] 493-495

Henderson, Joe: [25] 644

Henderson, Stephen E.: [15] 6-9, 10; [22] 16, 18; [24] 443
--"Saturation: Progress Report on a Theory of Black Poetry": [15] 8-9
--Understanding the New Black Poetry: [15] 6-8, 10; [24] 443

Hendrix, Jimi: [29] 213-216

Henson, Josiah: [6] 81-82; [8] 176-182
--The Life of Josiah Henson: [6] 81-82; [8] 176-182
--Truth Is Stranger than Fiction: [8] 180-182
--Truth Stranger than Fiction: [8] 176-182

Herndon, Angelo: [35] 615-637; [39] 356, 359, 363
--Let Me Live: [35] 615-637

Hernton, Calvin: [14] 106, 107; [27] 576, 579-583; [40] 327-329, 331

Herron, Carolivia: [31] 91-103
--Thereafter Johnnie: [31] 91-103

Heth, Joice: [39] 516-517, 523

Hewlett, James: [16] 128-130

Higginson, Thomas Wentworth: [23] 17-36

Higginson, Vi, and Ken Wydoro: [17] 70-71
--Mama, I Want to Sing: [17] 70-71

Hill, Abram, and John Silvera: [29] 618-621
--Liberty Deferred: [29] 618-621

Hill, Leslie Pinckney: [11] 104-105; [19] 59
--"So Quietly": [11] 104-105; [19] 59

Hills, Patricia: [40] 573, 576, 579

Himes, Chester: [6] 32-33; [10] 13-22; [15] 23; [24] 399; [26] 521-523; [27] 525-535; [28] 615-631; [30] 492-494; [32] 351-355; [33] 368-369; [38] 493
--All Shot Up: [38] 493; [40] 249
--Blind Man with a Pistol (Hot Day Hot Night): [10] 20-21; [28] 615, 622-626; [36] 299-310; [37] 65-80
--Cast the First Stone: [10] 16-17
--Cotton Comes to Harlem: [10] 21
--The Crazy Kill: [10] 20
--If He Hollers Let Him Go: [10] 14-15; [36] 299-310; [37] 65-80
--The Lonely Crusade: [6] 32-33; [10] 15-16
--My Life of Absurdity: [24] 399; [26] 521-523
--Pinktoes: [10] 13-14, 19-20
--Plan B: [28] 626-630; [30] 492-494
--"Prediction": [28] 626-630
--The Primitive: [10] 18-19
--The Quality of Hurt: [15] 23; [24] 399; [26] 521-523
--A Rage in Harlem: [27] 525-535
--The Real Cool Killers: [28] 615-622; [38] 493
--"Salute to the Passing": [40] 249
--The Third Generation: [10] 17-18

Hines, Earl "Fatha": [20] 172, 198

hip hop: [28] 639-652; [29] 291-301; [39] 501-510

Hodges, Johnny: [25] 644

Hodier, André: [25] 456-457, 481-482
--Jazz: Its Evolution and Essence: [25] 481-482

Holder, Robin: [19] 14-15

Hölderlin, Friedrich: [24] 477-479

Holiday, Billie: [20] 173, 198, 423-431, 438-442; [25] 644; [37] 154-155, 603-606

Holstein, Casper: [40] 145-146, 151-152

Homer: [7] 60-63
--The Odyssey: [7] 60-63

hooks, bell: [31] 552-554
--Bone Black: [31] 552-554

Hooks, Robert: [17] 24-25

Hopkins, Pauline E.: [19] 83-84; [24] 817-818; [32] 445-460, 661-672, 677-679; [33] 245-260, 537-538; [35] 357-390; [36] 403-415; [37] 569-581; [38] 181-196, 571; [39] 299-311; [40] 406, 687-688, 757, 759
--Contending Forces: [19] 83-84; [32] 661-672; [35] 357-373; [37] 569-581; [38] 181-182; [39] 299-300; [40] 687, 757
--Hagar's Daughter: [39] 299-311
--A Love Supreme: [38] 181
--Of One Blood: [19] 83-84; [33] 245-260; [35] 375-390; [36] 403-415; [38] 181
--Winona: [32] 445-460

Hopkinson, Nalo: [33] 589-601; [40] 111
--Brown Girl in the Ring: [33] 589-601
--Midnight Robber: [40] 111

Horton, George Moses: [9] 30-32; [33] 701-702
--"On Liberty and Slavery": [9] 30-32

The Hot Mikado: [16] 153, 155-157

House of Blues: [29] 217-221

Howard, Adina: [39] 507

Howard, James: [9] 18
--Bond and Free: [9] 18

Howard, Robert E.: [18] 90

Howells, William Dean: [33] 7-23
--An Imperative Duty: [33] 7-23

Hughes, Langston: [1] 12-13, 15; [5] 137-149; [9] 109-113; [10] 64-69, 89; [11] 39-48, 112, 156-157; [12] 76-77, 149-150; [13] 32, 74-75; [14] 6-7, 100-104; [15] 24-25, 83-116; [16] 58-59, 63, 98, 100; [19] 141-142; [20] 44-45, 55; [21] 305-316, 370, 467-474; [24] 399, 702-703, 713-714; [25] 63-72, 74, 603-604, 745-752; [26] 341-353; [28] 333-345, 601-613; [30] 499-500; [31] 529-531; [34] 356-357; [35] 77-92; [37] 139-148, 162-165, 462-463, 600-603; [38] 57, 65, 381, 384, 390-391, 442, 451-455, 457-458, 463; [39] 79-80, 88, 92, 143, 381; [40] 145, 153-154, 156, 482
--Ask Your Mama: [15] 110-111
--"Aunt Sue's Stories": [11] 44
--"The Barrier": [15] 101-103
--"Berry": [15] 95
--The Big Sea: [11] 39-45; [15] 24-25; [24] 399; [39] 79-80
--"The Blues I'm Playing": [11] 44
--"Border Line": [5] 137-138
--"Chocolate Sailor": [40] 482
--"Christ in Alabama": [38] 381
--"Declarations": [15] 109
--"Dream": [5] 138
--"Dreams": [5] 138-139
--"Father and Son": [15] 95, 101-103
--"50-50": [15] 109
--"A Good Job Gone": [15] 94
--"Home": [38] 452-458, 461-464
--I Wonder as I Wander: [15] 24-25; [24] 399
--Joy to My Soul: [25] 66-67
--"Lament Over Love" poems: [37] 600-603
--"Limitations of Life": [24] 702-703, 713-714
--"Little Dog": [15] 95
--Little Ham: [25] 66-67
--Madam poems: [15] 97-99, 109-110
--"Mississippi--1955": [37] 139-148
--"Mother and Child": [15] 95-96
--"Mother to Son": [9] 109-111
--"Mulatto": [10] 89; [26] 352
--Mulatto: [26] 341-353
--Mule Bone: [35] 77-92
--"The Negro Mother": [9] 111-112
--"The Negro Speaks of Rivers": [40] 145
--Not Without Laughter: [28] 601-613
--"On the Road": [25] 745-752
--"Passing": [15] 94
--"Red-Headed Baby": [15] 94
--The Return of Simple: [30] 499-500
--Simple tales: [10] 66-69; [11] 46-48; [14] 100-104; [16] 58-59, 63
--Simply Heavenly: [11] 112; [25] 67-68
--"Strange Hurt": [9] 112
--The Sun Do Move: [25] 64
--"Sunday": [15] 109
--"Supper Time": [15] 108-109
--Tambourines to Glory (novel): [25] 68, 70
--Tambourines to Glory (play): [11] 112; [25] 65-66, 68-71
--The Ways of White Folks: [15] 93-96; [39] 381
--"Who's Passing for Who?": [38] 442

Hughes, Patrick C. "Spike": [20] 181

Hunter, Kristin: [20] 423-442
--God Bless the Child: [20] 423-442

Hurricane Katrina: [39] 279-280

Hurst, Fannie: [24] 697-714
--Imitation of Life: [24] 697-714
--Imitation of Life (film): [24] 699-703, 707, 710-711, 713

Hurston, Zora Neale: [6] 52-53, 60; [7] 39-45 [10] 104-105, 107-108; [11] 3-6, 81-82; [12] 73-74; [15] 25-26, 37-38; [16] 25-33; [17] 109-115; [19] 140-141, 152-157; [20] 122, 414-415; [21] 185-197; [22] 13-14; [23] 113-126, 383-384, 661-680; [24] 224-228, 233, 237-242, 246-255, 385-386, 389-390, 399-401, 657-662, 667-696, 704-709, 713-714; [25] 35-41, 245-248; [26] 147-159, 442-443, 446-449, 605-635; [27] 167-178, 609-610; [28] 207-209, 210-211, 213, 283-292, 305-309; [29] 17-25, 579-592; [30] 341-351; [31] 5-21, 197-209; [32] 199-213, 387-399, 401-414; [33] 283-297, 362-365, 467-479; [34] 119-133, 299-312, 540-541, 639-660, 729-732; [35] 599-613, 669-671; [36] 162-163, 181-193, 263-272; [37] 463-465; [38] 45-58, 61-84, 243, 395-411, 417-426; [39] 55-61, 64, 88, 92, 201-206, 209, 327-334, 337-349, 492; [40] 103, 223, 401, 425, 431-433, 435, 483, 560
--"The Characteristics of Negro Expression": [38] 66, 422-423; [40] 432
--Color Struck: [28] 210-211, 213
--"Cudjo's Own Story of the Last African Slaver": [40] 431-433
--Dust Tracks on a Road: [7] 39-45; [15] 25-26; [23] 113-126, 668-670; [24] 224-228, 233, 237-242, 246-255, 385-386, 389-390, 399-401, 667-679; [26] 147-148; [31] 5-21, 197-209; [32] 387-399; [38] 396, 417-418, 420, 424; [39] 328, 331
--"Fire and the Cloud": [38] 397
--The First One: [39] 55-61
--"How It Feels To Be Colored Me": [27] 609-610; [40] 103
--Jonah's Gourd Vine: [34] 119-133; [38] 83
--Moses, Man of the Mountain: [38] 395-411
--"Mother Catherine": [38] 423
--Mules and Men: [11] 4-5; [23] 661-680; [26] 605-617; [31] 197-209; [33] 467-479; [38] 45-49, 51-56, 63, 66, 75-76, 81, 417-421, 424; [39] 327-329, 334, 337, 346-347, 349; [40] 145
--The Sanctified Church: [25] 35-41
--Seraph on the Suwanee: [30] 341-351; [34] 639-660
--"Shouting": [38] 423
--Tell My Horse: [34] 299-312; [38] 61, 66-68, 75-76, 78, 81; [39] 327-334; [40] 145
--Their Eyes Were Watching God: [6] 52-53, 60; [10] 104-105, 107-108; [11] 81-82; [16] 25-33; [17] 109-115; [19] 140-141, 152-157; [20] 122, 414-415; [21] 185-197; [23] 113-126, 383-384, 662, 663, 666, 669, 677; [24] 658-659, 661, 685-696, 705-709, 713-714; [25] 245-248; [26] 148-159, 446-448, 619-635; [27] 167-178; [28] 283-292, 305-309; [29] 17-25, 579-592; [32] 199-213, 401-414; [33] 283-297; [35] 599-613, 669-671; [36] 181-193, 263-272; [38] 45-46, 49-53, 55-57, 61-64, 66-84; [39] 172, 201-206, 209, 329, 331; [40] 223
--"What White Publishers Won't Print": [38] 425

Hyland, Paul: [26] 361-363
--The Black Heart: [26] 361-363

Hyman, Earle: [39] 289-290

Hyman, Stanley Edgar: [40] 461-462

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